Director’s Desk: Dispatch from Italy

Antony Gormley's human figures perched atop a tower

One of Antony Gormley’s human figures perched high atop a tower over the town of San Gimignano. Photos: Dorothy Kosinski

After fulfilling my teaching assignment with the Legatum Institute summer seminar, my husband Thomas and I spent a week in nearby Siena, a town that I love. Our final day in the area was devoted to a trip to the beautiful hilltop village of San Gimignano. I always make that pilgrimage to see the fabulous frescoes by Benozzo Gozzoli in the monastery church of Saint Augustine or the painting cycles in the main cathedral, the Collegiata, including the gory damnation scenes by Taddeo Bartoli. What a 21st-century treat, however, to see the absolutely vast and wonderful exhibition of works by Antony Gormley at Galleria Continua! They had also installed Antony’s powerful figures in the town, including high on one of the many towers. We were pampered by one of the gallery owners, Mario Cristiani, who offered us a beautiful Tuscan lunch al fresco out in the garden on a terrace overlooking the beautiful surrounding landscape (with a two-figured marble Gormley nearby). Of course I loved the tie back to our own Phillips Gormley installation.

Dorothy Kosinski, Director

Clockwise from top left: Thomas and Antony Gormley’s Another Time XV in the town of San Gimignano; moving among Gormley’s Two x Two II; Gormley’s Vessel on view inside Galleria Continua; Mario Cristiani and Gormley’s Drift I.

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