The Phillips celebrates the fifth anniversary of its Intersections contemporary art series with Intersections@5, an exhibition comprising work by 20 of the participating artists. In this blog series, each artist writes about his or her work on view.
While it seems to be a relatively small task to make a “medium-sized” work, it is a surprisingly hard challenge. My work tends to be door-like. The figures (however you define that term) inhabit a space that echos real life—with a gravity and stance that living beings share. On the other hand, the smaller painting puts us in a position of looking upon an image, or in the case of Chrysanthemum, upon a mere idea of an object, a geometric “absolute” construction. I wanted to point to Mondrian’s copious flower studies; my yellow made that connection clear.
Black Tiles is a lyrical optical trick, a graceful linear movement to behold. How do those straight lines billow? Unlike the paradigm of a painting acting as window, we look upon this image and not through it.