The Phillips Collects: Renee Stout

(Left) Renée Stout, Elegba (Spirit of the Crossroads), 2015 - 2019, mixed media, 39” x 17” x 13”  (Upper right) Renée Stout, Mannish Boy Arrives (for Muddy Waters), 2017, acrylic and latex on wood panel, 16” x 20” x 1.5”  (Lower right) Renée Stout, Escape Plan A, 2017, acrylic, varnish, and collage on wood panel, 10” x 10” x 1.5”

(Left) Renée Stout, Elegba (Spirit of the Crossroads), 2015 – 2019, mixed media, 39” x 17” x 13”
(Upper right) Renée Stout, Mannish Boy Arrives (for Muddy Waters), 2017, acrylic and latex on wood panel, 16” x 20” x 1.5”
(Lower right) Renée Stout, Escape Plan A, 2017, acrylic, varnish, and collage on wood panel, 10” x 10” x 1.5”

It is with great enthusiasm that we announce The Phillips Collection’s significant acquisition of three works by Renée Stout. This 3-part acquisition, a “Unit” in Duncan Phillips terms, is made possible through the Director’s discretionary fund and a gift of the artist and Hemphill Fine Arts.

“Best known for engaging the African American heritage, but also her personal history, Renee Stout is a visual storyteller par excellence,” said Senior Curator of Modern and Contemporary Art at The Phillips Collection, Vesela Stretenovic. “There is a lot of magic and ancestry spirits in her work, embodying self-expression and self-empowerment. As The Phillips Collection approaches its centennial in 2021, the recent acquisition of three works by this highly admired DC-based artist, marks a significant moment in the museum collecting staying true to its founder Duncan Phillips’s approach of acquiring an artist’s work in units.”

Renée Stout is a recipient of the Women’s Caucus for Art Lifetime Achievement Award (2018), Janet & Walter Sondheim Artscape Prize (2012), David C. Driskell Prize (2010), a Joan Mitchell Award (2005), The Pollock Krasner Foundation Award (1991 & 1999), the Anonymous Was a Woman Award (1999), and The Louis Comfort Tiffany Foundation Award (1993). Her work is included in such collections as The Africa Museum, Berg en Dal, Netherlands, The Baltimore Museum of Art, The High Museum of Art, The Metropolitan Museum of Art, The National Gallery of Art, The San Francisco Museum of Fine Art, the Smithsonian American Art Museum, and the National Museum of African American History and Culture, among others. Stout was the subject of the traveling exhibition “Tales of the Conjure Woman,” originating at the Halsey Institute of Contemporary Art in 2013, a solo exhibition, “Funk Dreamscapes from the Invisible Parallel Universe” at the John Michael Kohler Arts Center in Sheboygan, WI in 2018 and “Church of the Crossroads: Renée Stout in the Belger Collection” at the Belger Center in Kansas City, MO in 2018.

Leave a Reply