A true plein-air artist, William Merritt Chase painted right out “under the sky,” working directly on the canvas to capture his immediate impressions of the area surrounding his home in Shinnecock Hills, where he taught annually from 1891 to 1902.
One of William Merritt Chase’s finest interiors, Hall at Shinnecock (1892) is a glowing testament to the artist’s virtuosity as a pastel painter. In this resplendent scene of domestic leisure, Chase captures his wife and two of their children in the great hall of their Shinnecock home during the second season Chase taught at the Shinnecock Summer School of Art.
Last week, Curator Elsa Smithgall and I traveled to New York for a panel discussion at the Museum of Modern Art on Jacob Lawrence’s Migration Series in preparation for a collaborative exhibition between the Phillips and MoMA in 2015 and 2016. The exhibition will reunite the 30 panels from the Phillips’ collection with the 30 panels in MoMA’s collection, and will open at MoMA in 2015 and then travel to the Phillips in 2016.