Homage to Amelia

National Poetry Month and the multitude of pithy one-liners we’ve received from our “What is Amelia Thinking” talkback station in the galleries have inspired me to create some free verse poetry. Using submissions from a recent weekend, I have cobbled together 8 entrants for this poetic homage to Amelia van Buren.

Thank you to two anonymous visitors, Steve from DC, Jake from DC, Vera from MD, Jim from MD, Lucy from NJ, Sue from PA, and Zobo from VA for the creativity!

Thomas Eakins, Miss Amelia Van Buren, c. 1891. Oil on canvas, 45 x 32 in. The Phillips Collection, Washington, DC, Acquired 1927

Thomas Eakins, Miss Amelia Van Buren, c. 1891. Oil on canvas, 45 x 32 in. The Phillips Collection, Washington, DC, Acquired 1927

 

What is Amelia Thinking?
…Did I leave the stove on?
Why are you staring at me, I can own u!
How much longer is this painting going to take?
I really, really! would like to scratch my nose
Why me?
I’m bored.
God, I have to tinkle.
Why am I stuck in this portrait? When will I get OUT!

Memories and Peto’s Old Time Card Rack

The Phillips is currently hosting the exhibition Art and Wellness: Creative Aging. The display features work from our program which encourages older adults (many of whom suffer from Alzheimer’s or related dementia), along with their families and caregivers, to make connections and access personal experiences and long-term memories through gallery conversations and hands-on art therapy. It is part of an ongoing collaboration between The Phillips Collection and Iona Senior Services.

Through the program, we looked at John Frederick Peto’s Old Time Card Rack. Memories and personal mementos played an important role during a conversation about the painting. Members of the group first noticed the “well worn” and “very old” objects in the picture. One individual said he thought the artwork seemed to be about “memories of one time or another.”

The exploration continued in the art therapy studio at Iona. Members of the group created their own containers of memories, or memory boxes. Pictures and important objects were shared and discussed. One individual, Susan, used this process to reconnect with her mother. She made the work pictured below. She said, “I wanted to honor my mom because I miss her and love her dearly…. This is my tribute to her.”

(Left) John Frederick Peto, Old Time Card Rack, 1900. Oil on canvas, 30 x 25 in. Acquired 1939. The Phillips Collection. (Right) Susan Meyers, Momma—Earlier Days, 2013. Mixed Media.

(Left) John Frederick Peto, Old Time Card Rack, 1900. Oil on canvas, 30 x 25 in. Acquired 1939. The Phillips Collection, Washington, DC. (Right) Susan Meyers, Momma—Earlier Days, 2013. Mixed Media.

Reflection and George Luks’s Telling Fortunes

George Luks, Telling Fortunes, 1914. Oil on canvas 20 x 16 in., Acquired 1922. The Phillips Collection, Washington DC.

The Phillips is currently hosting the exhibition Art and Wellness: Creative Aging. The display features work from our program which encourages older adults (many of whom suffer from Alzheimer’s or related dementia), along with their families and caregivers, to make connections and access personal experiences and long-term memories through gallery conversations and hands-on art therapy. It is part of an ongoing collaboration between The Phillips Collection and Iona Senior Services.

Through the program, we looked at George Luks’s Telling Fortunes. Members of the group made observations about the artist’s use of color and the emotional impact of the figure. Individuals were also curious about the woman in the painting. They considered what she may be holding, suggesting a crystal ball, cup, or candle giving off light. They described the figure as looking “amazed,” “curious,” and “intense.”

The exploration continued in the art therapy studio at Iona. Individuals were invited to reflect further by making silk mandalas. Using ink, they were encouraged to let the colors spread on the silk. This freeing and meditative process brought forth feelings of “amazement” and “curiosity” within the group. One group member related her experience to Luks’s painting, stating “This kind of thing has elements of unknown, just like the painting…”

IonaWellness_LuksSilkpainting

Top: (left to right) Larry, Untitled, Ink on silk; Oscar, Untitled, Ink on silk; Patricia, Untitled, Ink on silk. Bottom: (left to right) Suzanne, Untitled, Ink on silk; Theresa, In the Flow, Ink on silk; Anita, Untitled, In on silk.