While in Berlin to meet with an important collector, I had some time to explore in the city. Klein aber fein is how the Germans might describe this wonderful one-room exhibition (pictured below) of five massive lithographs shown at Buchmann Galerie, all by Richard Serra and done in Paris around 1990. The prints have such incredibly rich texture. It is hard to imagine the enormous litho stones he must have used to make these prints. This exquisite one-room show makes me reflect on the power of our intimate projects at the Phillips, of course.
Photos: Dorothy Kosinski
I visited galleries on Auguststrasse and discovered this elegant, sober, brick building from ca. 1930, designed by the Jewish architect Alexander Beer, an example of Neue Sachlichkeit architecture. It was built as a Jewish girls’ school. Beer died in 1944 at the Theresienstadt concentration camp in 1944. During the last several years the building was restituted to the Jewish community and is filled with art spaces and a lively cafe…like the neighboring structures in this former East Berlin area that is being totally revitalized.
WNO Domingo-Cafritz Young Artists singers perform “La donna e mobile” from Verdi’s Rigoletto. Photo: Chris Flynn/ National Endowment for the Humanities
This past Wednesday I had the privilege of attending a special program at the Italian Embassy called “Verdi: Uncensored”. It featured a presentation by renowned musicologist, University of Chicago Professor Emeritus, Philip Gossett and performances by several Domingo-Cafritz Young Artists. The program was introduced by Kenneth Feinberg (best known as the administrator of the September 11th Victim Compensation Fund), former President of the Washington National Opera (and owner of over 9,000 opera recordings!). The program revealed many original scores that scholars have unearthed, showing how intrusive church, court, and police censors had been over decades, sometimes totally distorting meaning and logic in the operas. Bravo to the National Endowment for the Humanities for supporting this scholarship for some thirty years! I learned a lot about Verdi and I had reason to reflect on the importance of free expression and the insidious impact of censorship on artistic expression.
Education’s Natalie Mann and Meagan Estep share ideas at the Phillips entrance with Development’s Jane Kestner. Photo: Dorothy Kosinski
It may be summer but lots of good work is happening at the Phillips. Last week I took a break from my desk to discover colleagues from the Development and Education departments involved in major projects as well. The poster behind them is a good reminder to see our Ellsworth Kelly exhibition… not to mention Braque and Baltimore based artist Bernhard Hildebrandt!
Dorothy Kosinski, Director