Theo van Rysselberghe, The Scheldt Upstream from Antwerp, Evening, 1892. Oil on canvas, 26 3/4 x 35 1/2 in. Private collection
This Sunday’s panel about the artistic friendships and rivalries between Neo-Impressionists and other artists of the time inspired me to look deeper at the relationships among the artists inNeo-Impressionism and the Dream of Realities. Strong bonds existed between members of Les Vingt (XX) in Belgium and artists in the Société des Artistes Indépendants in Paris. For instance, Theo van Rysselberghe and Paul Signac were very close friends, and Rysselberghe would frequently visit Signac at his home in St. Tropez. Their time together at the seaside was spent sailing as well as discussing and creating art. Others, including Henri-Edmond Cross and Emile Verhaeren, would occasionally join the two on these trips. In Paris, multiple artists from the Neo-Impressionist movement would live together for periods of time or share studio space. This is the type of environment in which Signac hosted weekly social gatherings, during which painters, poets, critics, and musicians could come together to share ideas. The personal relationships between these artists explains some of the similarities in their works from that time, and reinforces the connection between them.
-Sara Swift, Graduate Intern for Programs and Lectures
