Caturday at the Phillips

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Pierre Bonnard, The Open Window, 1921. Oil on canvas, 46 1/2 x 37 3/4 in. The Phillips Collection, Washington, DC, Acquired 1930

Cat fans might be surprised to learn that The Phillips Collection is a notoriously feline-friendly museum. The Phillips Collection has a number of cats represented in its paintings—like Pierre Bonnard’s The Open Window (1921)—but the museum also housed real cats at one point. In the ’70s, two cats roamed the halls of the museum. Fiona, an Oriental Shorthair, was gifted to the Phillips by Curator Walter Hopps of the National Collection of Fine Arts (now the Smithsonian American Art Museum). Bazooka, a black and white tabby, was given to the Phillips by Fondo del Sol Visual Arts Center. Though their beds and food were located in a small (now non-existent) room near the library, they were known to wander around the offices of the museum. They visited desks for attention, found pools of sunlight to nap and bask in, and every day at around lunch time, they would run to the registrar’s desk where they knew they could get treats. After eating a few nibbles of ham, Bazooka was known to “sun” under the lamp on the registrar’s desk and drape himself over the phone. Sometimes when someone called in the afternoon, the caller would hear a disgruntled meow as the registrar picked up the phone and disturbed Bazooka’s slumber.

Bazooka and Fiona largely avoided the crowds in the museum, though they did meet a few visitors. During a school tour, a feline-phobic student took one look at Fiona and went running down the stairs screaming at the top of her lungs, Preparator Bill Koberg recalls. That was the pinnacle of excitement for these kitties, as they lead their lives in peaceful and quiet leisure behind the scenes at the Phillips.

Do you remember Fiona and Bazooka from a previous visit? Do you have a favorite painting with a cat (or another furry friend) in it? Let us know in the comments!

Rhiannon Newman, Membership Associate and Marketing & Communications Intern

 

May uCurate Winner: American Beauty

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American Beauty, uCurate submission from Tiffany

Put your hands together for Tiffany, winner of May’s uCurate prize. Tiffany incorporated a number of themes into her two-room exhibition, American Beauty. Of her exhibition, Tiffany says:

“The beauty of Americana is showcased via various landscapes, time periods, mediums, and palettes. From the first gallery filled with the modern richness of Cubist, Abstract Expressionism, mixed with more “classical” landscapes provides a bold overview. Transitioning from the first room, painted yellow, into the second room, painted a more traditional gray, we step into a world of American scenes, seascapes, cold landscapes, baseball, and urban landscapes.”

Start curating for your chance to win next month’s prize, a Made in the USA exhibition catalogue.

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American Beauty, uCurate submission from Tiffany

American Art in Music

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Jacob Lawrence, The Migration Series (1940-41) Panel no. 1 “During World War I there was a great migration north by southern African Americans.” Casein tempera on hardboard, 12 x 18 in. Acquired 1942. The Phillips Collection, Washington, DC

What song would you pair with Jacob Lawrence’s The Migration Series? As part of last year’s Vocal Colors, Wolf Trap Opera Company soprano Andrea Carroll chose Troubled Woman, part of a cycle called ‘Genius Child’ written by American composer Ricky Ian Gordon. Below is our newest audio tour stop: an excerpt from the performance, preceeded by an introduction by Lee Anne Myslewski, the Director of Artistic Administration for Wolf Trap Opera & Classical Programming. [jwplayer config=”Audio Player” mediaid=”19006″]

“This is the fifth year that Wolf Trap and The Phillips Collection have collaborated on Vocal Colors, a recital series that uses the thought-provoking works of The Phillips Collection as a springboard for a varied musical evening. Curated by musicians from the Wolf Trap Opera Company, the musical offerings cross genres and time periods, offering new aural perspectives on the respected visual works.”

This year, singers will be responding to works from Made in the USA. Hear from soprano Tracy Cox and tenor Robert Watson on June 19, and soprano Melinda Whittington and mezzo-soprano Carolyn Sproule on July 31.

On June 16 at 12 pm EST, Tracy Cox will lead our first-ever guest #breakforart Twitter chat! We’ll be discussing John Marin’s Pertaining to Fifth AvenueHave questions about her process or song selection? Leave them as comments here, or join us on Twitter @PhillipsMuseum to participate.