Seeing Beyond the Frame

Seeing beyond the frame_lee stalsworth

The “Seeing Beyond the Frame” Station in Seeing Nature, which invites visitors to contribute their imagined conservation discovery and a resulting new story about a work of art in the exhibition. Photo: Lee Stalsworth

As part of the exhibition Seeing Nature: Landscape Masterworks from the Paul G. Allen Family Collection, the Phillips encourages visitors to “see beyond the frame” with an interactive station focusing on conservation. In this space, you’re invited to learn about discoveries made while conserving works in the exhibition from the short videos playing in an adjacent gallery and peek into the part scientific, part detective work of an art conservator.

Each month, a different work of art from Seeing Nature is highlighted at this station and visitors are invited to create their own imagined conservation discoveries, explaining how their discoveries might change the known story about a work of art. From hidden underpaintings to long lost owners or artists, here are a few of our favorite creative submissions so far.

side by side submissions

Visitors to Seeing Nature have submitted a variety of contributions to “Seeing Beyond the Frame.”

The Five Senses: Smell

One gallery in Seeing Nature is dedicated to Jan Brueghel the Younger’s The Five Senses series. Painted in 1625, this series is a close copy of five paintings by Brueghel’s father, Jan Brueghel the Elder (who painted the backgrounds) and Peter Paul Rubens (who painted the figures) in 1617–18, now in the Museo del Prado in Madrid. Each painting focuses on one of the five senses, providing a platform for visitors to consider their own encounters with nature. Today we focus on Smell.


Jan Brueghel the Younger, The Five Senses: Smell, c. 1625. Oil on panel, 27 5/8 x 44 5/8 in. Paul G. Allen Family Collection

A cultivated garden overflows with the most popular plants of the early seventeenth century, including the exotic Crown Imperial tulip, irises, lilies, narcissus, anemones, hollyhocks, and carnations, all at the peak of beauty and fragrance. In the foreground, Cupid presents a sweet-smelling bouquet to Venus. Curled up nearby is a genet, a musk-producing mammal, as well as two guinea pigs—reminders that not all smells are pleasant.

In fact, the painting Smell features not only a cultivated garden overflowing these potent flowers, but installed in our museum, it also beautifully relates to the Phillips’s multisensory Laib Wax Room, a permanently-installed chamber lined with fragrant beeswax created by the German artist Wolfgang Laib.

Color Your Own Masterpiece

2016 postcards and supplies_Miriam Deaver

Color your own masterpiece at The Phillips Collection’s booth during the Anacostia River Festival. Photo: Miriam Deaver

We’re excited to participate in this year’s Anacostia River Festival! Come by our booth on Sunday, April 17 from 1-5 pm and color a postcard picture of a masterpiece from our permanent collection. We’ve created a few samples here. All are invited to attend this free event, so bring your friends and family!