Director’s Desk: Dispatch from Berlin

While in Berlin to meet with an important collector, I had some time to explore in the city. Klein aber fein is how the Germans might describe this wonderful one-room exhibition (pictured below) of five massive lithographs shown at Buchmann Galerie, all by Richard Serra and done in Paris around 1990. The prints have such incredibly rich texture. It is hard to imagine the enormous litho stones he must have used to make these prints. This exquisite one-room show makes me reflect on the power of our intimate projects at the Phillips, of course.

Photos: Dorothy Kosinksi

Photos: Dorothy Kosinski

I visited galleries on Auguststrasse and discovered this elegant, sober, brick building from ca. 1930, designed by the Jewish architect Alexander Beer, an example of Neue Sachlichkeit architecture. It was built as a Jewish girls’ school. Beer died in 1944 at the Theresienstadt concentration camp in 1944. During the last several years the building was restituted to the Jewish community and is filled with art spaces and a lively cafe…like the neighboring structures in this former East Berlin area that is being totally revitalized.

Director’s Desk: Summer Doesn’t Slow Us Down

Education's Natalie Mann and Meagan Estep work at the Phillips entrance with Development's Jane Kestner. Photo: Dorothy Kosinski

Education’s Natalie Mann and Meagan Estep share ideas at the Phillips entrance with Development’s Jane Kestner. Photo: Dorothy Kosinski

It may be summer but lots of good work is happening at the Phillips. Last week I took a break from my desk to discover colleagues from the Development and Education departments involved in major projects as well. The poster behind them is a good reminder to see our Ellsworth Kelly exhibition… not to mention Braque and Baltimore based artist Bernhard Hildebrandt!

Dorothy Kosinski, Director

Director’s Desk: Art that Startles

April is poetry month. I love Benjamin Britten’s Hymn to Saint Cecilia written to a marvelous text by W.H. Auden, one of my favorite poets. (I recently enjoyed a performance by the King’s College Choir.) The refrain to the patron saint of musicians reads thus:

Blessed Cecilia, appear in visions/ To all musicians, appear and inspire/ Translated Daughter, come down and startle/ Composing mortals with immortal fire.

It seems to me this text applies to all the arts. The word ‘startle’ is perfect. Art knocks us out of the everyday, jolts us into a realm of possibility. Isn’t that why we love a visit to a museum like the Phillips?

Dorothy Kosinski, Director