Harold Weston, Winds, Upper Ausable Lake, 1922. Oil on canvas, 16 1/8 x 22 3/16 in. Gift of Mrs. Harold Weston, 1981. The Phillips Collection, Washington DC.
This work by Harold Weston, part of the Made in the USA exhibition, captures the power of the wind in the pulsing ripples on the surface of the lake, bright morning sunlight glinting off each peak.
Since Made in the USA: American Masters from The Phillips Collection, 1850–1970 opened, visitors have shared their ideas about what Miss Amelia Van Buren, the subject of Thomas Eakins’s painting, may be thinking.
We’ve gotten 75 submissions so far via a comment station in the galleries and social media.
What do you think Amelia is thinking? Instagram a photo or Tweet your ideas using #MyAmericanArt.
Below are some highlights from the first week of the exhibition. We love the creativity!
Visitor submissions from our talkback station in the galleries.
It was with great pleasure yesterday that many of us attended a brown bag lunch talk from guest curator Cornelia Homburg who previewed her upcoming exhibition at the Phillips opening September 27th, 2014. Images, such as those below, quickly transported us from the unwelcome snow of DC to warm, sunny southern France.
(Left) Henri-Edmond Cross, Plage de la Vignasse, les Iles d’Or, 1891-1892, huile sur toile. 65,5 x 92,2 cm. © MuMa Le Havre / David Fogel (Right) Paul Signac, Setting Sun. Sardine Fishing. Adagio. Opus 221 from the series The Sea, The Boats, Concarneau, 1891. Oil on canvas, 25 5/8 x 31 7/8″ (65 x 81 cm). Mrs. John Hay Whitney Bequest. 585.1998 © 2014 Artists Rights Society (ARS), New York / ADAGP, Paris.