Conversations with Artists: Wangechi Mutu

Wangechi Mutu taking audience questions

Wangechi Mutu taking audience questions on April 18, 2013, during our Conversations with Artists series. Photo: Sarah Osborne Bender

Two weeks ago, we concluded our season of Conversations with Artists by spending an evening with Wangechi Mutu. I was looking forward to her talk all year, having learned about her first in 2009 during our Paint Made Flesh exhibition. While I was familiar with her collage and mixed media work, I was unaware of her video pieces. Acting as filmmaker and performer, she takes on a variety of roles–laborer, protestor, diva, among them–and carries out intense physical expressions in each film. It was fascinating watching the projected videos of Mutu while, at the same time, she stood right beside the projection, casually in a headscarf and leather jacket.  She also discussed her first animated piece, The End of Eating Everything, which features singer Santigold. She told us she was satisfied at seeing her layered, still, two-dimensional works transformed into a moving image that conveyed a sense of space, but also commented on the lack of control that comes with bigger and more complex projects. I look forward to seeing if she continues her explorations in animation, and to seeing more of her video work.

Stay tuned for the 2013-2014 series of Conversations with Artists, returning in the fall.

Read the live tweets from the conversation with Mutu on Storify.

 

 

 

Where Are They Now: Pedro Reyes

Reyes (right) during his studio visits and critiques at GW University. Photos: Dean Kessmann

Pedro Reyes with a student during his studio visits and critiques at GW University. Photos: Dean Kessmann

Pedro Reyes, "Sanatorium," dOCUMENTA(13), 2012, Kassel, Germany, Photo: Klaus Ottmann

Pedro Reyes, “Sanatorium,” dOCUMENTA(13), 2012, Kassel, Germany, Photo: Klaus Ottmann

Pedro Reyes, an artist based in Mexico City and one who has participated in our Conversations with Artists series, is an “artist to watch” according to the Huffington Post. During his talk at the Center last November he spoke about recent and ongoing projects—in particular Sanatorium, which exhibited at dOCUMENTA(13) last summer, and everyone’s favorite socialist puppet show, Baby Marx. During his stay in D.C. he also conducted a few studio visits with graduate students of Fine Arts at the George Washington University.

 

 

 

 

Reyes (right)  and student during his studio visits and critiques at GW University. Photos: Dean Kessmann