Goodbye Illuminated Archives; Welcome Participant

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Installation view of Participant, Vesna Pavlović’s exhibition at G Fine Art Gallery. Photo: Vesela Sretenović

As Illuminated Archive, an Intersections project by Vesna Pavlović is approaching its end (closing Sunday, September 28), a new project by the Serbian-born, Nashville-based artist just opened on Saturday, September 13, at G Fine Art in its new 14th Street location.

In this exhibition, the artist continues to explore the archive of images, this time drawn from the Museum of Yugoslav History in Belgrade, Serbia. This brings into play not only the photographic records of the socialist era under the President Josip Broz Tito, she remembers as Participant, but also her own memories of a time that no longer exists.

Senior Curator of Modern and Contemporary Art, Vesela Sretenović

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Installation view of Participant, Vesna Pavlović’s exhibition at G Fine Art Gallery.

Entrapped in Mallorca

Bernardi Roig in cage

Intersections artist Bernardi Roig inside one of his works, White Cage, coming to the Phillips this fall. Photo: Vesela Sretenovic

In preparation for Intersections artist Bernardi Roig’s exhibition at the Phillips opening in October, Senior Curator for Modern and Contemporary Art Vesela Sretenovic is in Mallorca for a studio visit and an opening at Kewenig Gallery of the artist’s work. See images from a previous visit to Roig’s studio here.

Bernardi Roig with Blinky P

Roig with his work An illuminated head for Blinky P. (The Gun), 2010. Polyester resin, marble dust and fluorescent light. Figure life size. Courtesy Galerie Klüser, Munich. Photo: Vesela Sretenovic

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Opening night of Bernardi Roig’s show at Kewenig Gallery. Photos: Vesela Sretenovic

Bernardi Roig at opening_VS

The artist in his exhibition space. Photo: Vesela Sretenovic

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Installation view of Roig’s exhibition at Kewenig Gallery in Mallorca. Photo: Vesela Sretenovic

Giacometti at the Phillips, 1963

Vesna Pavlović’s Intersections work, Illuminated Archive (on view through September 28th), uses imagery from our 1963 exhibition Giacometti. That exhibition was years in the making and required many loans of large sculptural pieces which can be difficult to manage. Planned while Duncan Phillips was in his late 70s, his wife Marjorie played an active role in the securing of loans, writing many letters to museums as well as prominent collectors such as William and Babe Paley and Joseph Pulitzer, Jr. Assisting with locating works in both public and private collections, the Pierre Matisse Gallery provided Marjorie Phillips with the lists below, which were thoroughly annotated as the exhibition planning proceeded.

Works by Albert Giacometti in public and private collections as listed by Pierre Matisse Gallery for the Phillips Collection.  The Phillips Collection Archives, Washington DC.

Works by Alberto Giacometti in public and private collections as listed by Pierre Matisse Gallery for The Phillips Collection. The Phillips Collection Archives, Washington, DC.

The result was a beautiful and popular show. The Phillipses remarked that they were so pleased, they wished it could remain as a permanent part of the museum.

Giacometti exhibition, 1963. The Phillips Collection Archives, Washington DC.

Giacometti exhibition, 1963. The Phillips Collection Archives, Washington, DC.

Giacometti exhibition, 1963. The Phillips Collection Archives, Washington DC.

Giacometti exhibition, 1963. The Phillips Collection Archives, Washington, DC.