“There was a moment I had the idea to make these towers, so I transformed them more in a round shape, stacked them on top of each other so they look like these monuments to the Third International that Vladimir Tatlin did.” Bettina Pousttchi discusses her Intersections installation Double Monuments on view at the Phillips.
Senior Curator of Modern and Contemporary Art Vesela Sretenovic and Bettina Pousttchi with the artist’s Double Monuments. Photo: Rhiannon Newman
Artists Bettina Pousttchi, Vladimir Tatlin, and Dan Flavin each present complex, layered art that reflects on the past and the present. Their work captures the attention of the viewer and reveals the ambitions of each artist.
In 1920s Russia, the Constructivist sculptor-architect Vladimir Tatlin led a government program to replace tsarist-era monuments with new public celebrations of the recently established regime and this new period in Russian history. Tatlin’s ideas for the nation’s new artistic practices favored abstraction over figurative representations of revolution heroes, and he proposed the Monument to the Third International, a soaring structure of iron and glass, two modern materials meant to emphasize the modernity of the Soviet nation. Russia was by no means an industrialized nation at the time; when a wooden model of the structure was paraded through the streets it was on a horse-drawn wagon. This model represented the aspirations and hopes for post-revolution Russia.
Tatlin’s monument was intended to be a celebration of the revolution and new communist regime as well as the headquarters of the Third International, known as the International Organization of Communist Parties or the Comintern. The building focused on the collective and the glass was meant to symbolically represent the transparency of the Third International. This structure, representing ingenuity and modernity, was never built.
This is a multi-part blog post; check back next week for Part 2.
Emma Kennedy, Marketing & Communications Intern
Instagrammer @rhiannonnewman snapped this photo of Bettina Pousttchi with her installation during a recent gallery talk with the artist
In this month’s ArtGrams, we’re sharing your photos from Bettina Pousttchi’s recently installed Intersections exhibition Double Monuments. It’s fascinating how this installation can look light-drenched and inviting in one moment, dark and ominous the next.
Before the lights are turned on. Photo: IG/davbad
ArtGrams is a monthly series in which we feature our favorite Instagrammed pictures taken around or inspired by the museum. Each month, we’ll feature a different theme based on trends we’ve seen in visitor photos. Hashtag your images with #PhillipsCollection or tag your location for a chance to be featured.