Installation of several works by Bernardi Roig is in progress as we near the opening date of his Intersections project at the Phillips, NO/Escape. Three of the works will be outside of the museum’s walls, including Acteon (2005), which will hang in the alleyway between the original Phillips house and the Goh Annex, a 1960s addition.
Installation of Bernardi Roig’s, Acteon, (2005). Polyester resin, marble dust and fluorescent lights. Figure life size. Courtesy Max Estrella Gallery, Madrid
The sculpture is lifted to the desired height on the wall with the help of Phillips preparators. Photos courtesy The Phillips Collection
Artist Bernardi Roig looks on as installation continues. Photos courtesy The Phillips Collection
Acteon from below, awaiting the final piece of the installation: a beam that will stem from the sculpture’s back and connect the original Phillips house with the Goh Annex. Photo courtesy The Phillips Collection
The finishing touches are put on Bernardi Roig’s Acteon.
Dan Datlow, Director of Facilities and Security, inspecting Bernardi Roig’s The man of the light, 2005. Polyester resin, marble dust and fluorescent lights. Figure life size. Collection of Mirella and Dani Levinas, Washington, DC
In preparation for Bernardi Roig‘s white plaster sculptures coming to the Phillips this October, Director of Facilities and Security Dan Datlow visited the work. Leave your captions for this photo in the comments or on social media with #RoigCaptions for a chance to win two member-for-a-day passes!
Associate Registrar for Exhibitions Trish Waters gets us started with her submission: “What did I tell you? No shirt, no shoes—no service!”
**UPDATE: Congratulations to Facebook fan Maura, who wins this round with: “I didn’t know it was a Dan Flavin, I thought they were spare lights for the cafeteria.”
Installation view of Participant, Vesna Pavlović’s exhibition at G Fine Art Gallery. Photo: Vesela Sretenović
As Illuminated Archive, an Intersections project by Vesna Pavlović is approaching its end (closing Sunday, September 28), a new project by the Serbian-born, Nashville-based artist just opened on Saturday, September 13, at G Fine Art in its new 14th Street location.
In this exhibition, the artist continues to explore the archive of images, this time drawn from the Museum of Yugoslav History in Belgrade, Serbia. This brings into play not only the photographic records of the socialist era under the President Josip Broz Tito, she remembers as Participant, but also her own memories of a time that no longer exists.
Senior Curator of Modern and Contemporary Art, Vesela Sretenović
Installation view of Participant, Vesna Pavlović’s exhibition at G Fine Art Gallery.