Phillips preparators unwrap the first of several layers protecting the work. All photos: Amy Wike
Works for Vesna Pavlović‘s Intersections installation at the Phillips, Illuminated Archive, have just arrived at the museum. Here’s a first look at Untitled (Swiss Peasant art exhibition, 1957.4) (2014) as Phillips preparators open it up after arrival. See this and the rest of the works on the walls (and in the staircase!) starting May 22, and don’t miss Pavlović’s talk in the galleries Thursday evening.
Preparators put on gloves to handle the final layer of unwrapping as Senior Curator of Modern and Contemporary Art Vesela Sretenovic looks on.
Vesna Pavlovic’s work Untitled (Swiss Peasant art exhibition, 1957.4) is unwrapped and ready for the gallery walls.
In this video, see the selection and installation process behind Jean Meisel‘s 50–65 Horizon Line, her Intersections contemporary art project on view at the Phillips through May 4.
Once informally known as the Klee Room for the Paul Klee paintings that hung there in years past, a second-floor alcove in the Phillips house is now home to Washington artist Jean Meisel’s Intersections project, titled 50–65 Horizon Line. Meisel, who well recalls the space’s Klee period, has been visiting The Phillips Collection since the 1950s. The jewel-like alcove offers the perfect setting for more than 50 of the painter’s intimate, small-scale works, ranging from 1 1/2 inches to 6 inches. The landscape paintings are hung side by side so that their shared horizon line wraps around the room. The artist has produced hundreds of these serene watercolors since the 1970s.
Vivian Djen, Marketing Communications Editor