There’s a Map for That!

If you’ve seen one of the recent issues of The Phillips Collection’s Magazine, you may have noticed a wonderful article, “A Tour de Force”, written by Joseph Holbach, Chief Registrar and Director of Special Initiatives, which outlined the numerous Phillips exhibitions which have been traveling the world since the 1980s. Within the article was a graphical representation of the different tour “routes” to put it all into perspective.

Using that infographic and a simple jQuery plugin called Craftmap, we created a mini interactive that allows the user to zoom from one tour venue to the next, or even drag the map around to explore more organically.  Best of all, since its jQuery and HTML, its mobile-device friendly! Try it out on the Touring Exhibitions page in the Collection section of our site!

We’re hoping this is just the start, as many of the works that have been on tour will be coming home in 2014, so developing some larger digital projects in conjunction with the upcoming exhibition, is being discussed. Be sure to stay tuned!

A map showing some of the locations of touring exhibitions over the past thirty-plus years.

A map showing some of the locations of touring exhibitions over the past thirty-plus years.

Returning to Long Island

Angels, Demons, and Savages: Pollock, Ossorio, Dubuffet” being installed

Photo: Klaus Ottmann

Angels, Demons, and Savages: Pollock, Ossorio, Dubuffet, being installed by staff at the new Parrish Art Museum in Water Mill, New York, last week.  The Parrish is not far from Alfonso Ossorio’s Long Island estate, The Creeks, where he collected and displayed works by Pollock and Dubuffet. Angels, Demons, and Savages opened on Saturday and will be on display until October 27.

Controlled Disorganization: Ellsworth Kelly at the Barnes

sculpture for a large wall by Ellsworth Kelly

Ellsworth Kelly (American, b. 1923). Sculpture for a Large Wall, 1956–1957. Anodized aluminum, 104 panels, 136 x 782 1/2 x 12 in. (345.4 x 1987.6 x 30.5 cm). The Museum of Modern Art, New York, gift of Jo Carole and Ronald S. Lauder, 1998. © Ellsworth Kelly. Image: © 2013 The Barnes Foundation

Earlier this month, my family and I decided to go on a little getaway to Philadelphia specifically to see the newly revamped Barnes Foundation. The Barnes is one of several major art galleries like MoMA, Detroit Institute of the Arts, the National Gallery of Art and The Phillips Collection celebrating Ellsworth Kelly’s 90th birthday by hosting exhibitions of his work.

Having spent many a lunch break exploring the Phillips’s Kelly exhibition (one of the main perks of being an intern in an art museum) I was definitely interested in seeing the Barnes’s exhibition as a means of comparison. The combination of the two shows, and the differences between them, gave me a unique perspective on an artist whose work I was mostly unfamiliar with until recently.

Walking into the exhibition at the Barnes, the first piece you see is Sculpture for a Large Wall, and this was my favorite piece in the exhibit. The sculpture is massive, taking up the entire back wall of the gallery space, and is composed of 104 aluminum panels colored red, yellow, blue, and black. These panels are lined up in various positions along four rows. One of the reasons why this was undeniably my favorite piece in the show was because of its sense of chaos and mayhem, which juxtaposes the serenity and calmness of the other pieces. The panels are not neatly lined up, but rather pointed in every direction, making it feel like a controlled disorganization, which contrasts to the element of perfection seen in his other pieces. Seeing this piece side by side with his other work gave me perspective on the breadth of his work and his unmistakable style.

And, because I always like to end my posts with an interesting tidbit, this was the first time since 1998 that Sculpture for a Large Wall was shown in Philadelphia. The work was commissioned by the Philadelphia Transportation Building in 1957 where it hung until renovations forced its removal in 1998.

Hannah Hoffman, Marketing Intern