Playing the Part, Again

Actress Laura C. Harris guest blogs today about revisiting the role of Mandy Bloom for the upcoming staged reading of Time Stands Still at The Phillips Collection. 

Laura Harris_staged reading time stands still_headshot

Laura C. Harris

I have never gotten to play the same part twice, until this reading. I actually avoided the opportunity after I played Mandy in Studio Theatre’s 2012 production of this show, rejecting an audition invitation for the same part in a production that was to happen just a few months after Studio’s production closed. I had a good reason: were I fortunate enough to be cast, I didn’t believe I’d be able to enter the new process with an open mind as to the new possibilities that come with a different team, director, cast, and crew. I didn’t feel that enough time had passed for me to let one production go and therefore be able to freely commit myself to the next.

A few years have passed since then. Over the years I have been able to differentiate what I believe is true about the character, no matter what the setting, from the production itself, and it’s that character knowledge that I’m so looking forward to re-examining in this reading at The Phillips Collection.

Mandy is simple, but not stupid, in spite of what others may initially think. She speaks her mind, but never with negative intent; there is always a positive reason behind her words and actions, even if she doesn’t think through how those words and actions may be received by others. She is unencumbered by sarcasm, ulterior motives or pretense and is instead fiercely earnest in her belief in the power of love,compassion, and happiness. She is fair, and loyal, and funny, and impressively emotionally intelligent.

With this knowledge, I’m excited to get going on this reading for two main reasons:

  1. Mandy is a rare type of person in today’s world. As an actor, it’s a joy to play someone who is so positive and open and to follow that emotional journey, particularly when the character stands in such stark contrast to the others in the play. Experiencing the effect that Mandy has on the other characters, as well as how they mold her over time, is a really fun journey to take.
  2. Having never repeated a role before, I can’t wait to see how the Mandy I know evolves with this group of characters that my Mandy hasn’t met yet. How will she change now that she’s presented with new personalities, moments, and motivations that the other actors and the director provide? And what effect will my own growth as a person over the last 3+ years have on her? What will that teach me about myself?

There’s a lot to look forward to; I can’t wait to get started!

Actress Laura C. Harris

Dramatic Play

At February’s Phillips after 5 the museum collaborated with Arena Stage to celebrate their production of John Logan’s play Red and our Rothko Room. Teaching artists from Arena led theater workshops that brought artworks from the museum to life through tableaux vivants or living pictures. Have a look at participants at play!

Participants warm up by making individual tableaux. The inspiration: freeze like you just won the lottery. Photo: Charles Mahorney

More warm-up as participants collaborated to make a shape with a focal point. Photo: Charles Mahorney

In the next series, participants took Daumier's The Uprising as a source of inspiration for tableaux. Honoré Daumier, The Uprising (L'Emeute), 1848 or later. Oil on canvas, 34 1/2 x 44 1/2 in. The Phillips Collection, Washington, D.C. Acquired 1925.

Participants create a tableau inspired by The Uprising. Photo: Charles Mahorney

Another tableau inspired by The Uprising. Photo: Charles Mahorney

Rothko on the Wall and on the Stage

(left) Edward Gero in the 2011 Goodman Theatre production of "Red." Photo: Liz Lauren. (right) The Rothko Room at The Phillips Collection. Photo (c) Robert Lautman

We’ve been closely following the development of Arena Stage’s production of John Logan’s play, Red, after our Rothko Room served as a resource for two actors preparing for the role of painter Mark Rothko, Alfred Molina and Edward Gero, as well as a young actor hoping to land the role of Ken, the assistant, in an upcoming production. We’re delighted to hear that the National Gallery of Art has installed three paintings from the artist’s Seagram Murals, the work around which the play unfolds. Red opens in Washington, D.C., on January 20.