We’re welcoming back The Phillips Collection’s 30 panels of Jacob Lawrence’s Migration Series with some new digs. The panels returned in September after a trip to the Museum of Modern Art in New York, where they were reunited with the 30 panels owned by MoMA in the exhibition One-Way Ticket: Jacob Lawrence’s Migration Series and Other Works. If you missed it, the 60 panels will come together again at the Phillips in fall 2016. For now, the Phillips-owned panels are on display in what was once the original family dining room.
Exhibition Curator Renee Maurer introduces American Moments: Photographs from The Phillips Collection in this short video.
This spring, former Phillips curator Beth Turner taught an undergraduate practicum at the University of Virginia focusing on Jacob Lawrence’s Struggle series. In this multi-part blog series, responses from Turner’s students in reference to individual works from the series will be posted each week. Read the introductory post here.
We have no property! We have no wives! No children! We have no city! No country! —Petition of Many Slaves, 1773
The struggle here is related to a slave revolt. The gold-colored mountain or wall in the center is representative of the impenetrable American government that refused to listen to the slaves’ petitions for a better, free life. Lawrence composed this panel to emphasize hardship, but still an unwavering courage to continue fighting.
One of the slaves who participated in a petition for emancipation in 1773 was Felix Holbrook. Holbrook was living in Boston and was a neutralist. This caption is a quote in a letter that Holbrook wrote to the provincial legislature of Massachusetts. He wrote the letter on behalf of his fellow slaves with the intention of finally gaining freedom. The letter was one in a series of four petitions. Holbrook narrates a life of hardship in his petition that compliments Lawrence’s ability to capture the fed-up, but forever brave sentiment of Felix’s letter.