Contemporary Art Tribute Gallery to Anita Reiner

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Installation view of A Tribute to Anita Reiner

This fall, the Phillips is host to a tribute exhibition in memory of Anita Reiner, one of DC’s most active art collectors. The installation includes works by renowned contemporary artists such as Anselm Kiefer, Wangechi Mutu, Robert Mapplethorpe, El Anatsui, Shilpa Gupta, and Shirin Neshat, among others.

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Installation view of Gabriel Orozco’s Common Dream (Sheep) (1996) and Zhang Huan’s Ash Head No. 24 (2007).

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Installation view of Mimmo Paladino’s Vento del mattino (1981) and Wangechi Mutu’s Blackthrone XII (2012).

Director’s Desk: A Closer Look at Made in the USA

Did you know that the Founder Duncan Phillips and his wife Marjorie had a painting studio in the upstairs of their house? Director Dorothy Kosinski explains how Phillips’s lifestyle and exceptional  support of contemporaries like Arthur Dove, Ernest Lawson, and  Rockwell Kent “shows the intensity of that relationship with the artist, the living artist, the practitioner. That’s obviously what made Duncan Phillips the happiest, the most engaged.”

In Memory of Anita Reiner

Anita Reiner standing in front a human figure cloaked in black.

Photo: Courtesy Wendy Grossman

Passionate art lover and Phillips friend Anita Reiner passed away on August 15, 2013. Anita and her husband, Burton, became International Forum members in 2009 and enthusiastically joined Phillips trips to Dallas-Fort Worth and Art Basel Miami Beach.

Phillips Curatorial Associate Wendy Grossman relays this touching story of Anita’s early connection with the Phillips:

“A serendipitous encounter at The Phillips Collection in the early years of her quest to learn about modern art was instrumental in shaping the open-minded attitude that ultimately guided Anita’s collecting philosophy. While looking inquisitively at the newly installed paintings by Mark Rothko, she was approached by an elderly gentleman—as she tells it—who asked her what she thought. To which she mumbled an indifferent reply. The man told her: ‘Young lady, you always have to meet new art half way.’ She never forgot that. The man, she subsequently learned, was Duncan Phillips.”