Arthur G. Dove, Lake Afternoon, 1935, Wax emulsion on canvas 25 x 35 in.; 63.5 x 88.9 cm.. Acquired 1947. The Phillips Collection, DC.
To celebrate the last month of Made in the USA, we’ve asked Phillips staff to create acrostic poems for works in the exhibition. We’ll feature some of our favorite submissions over the next few weeks. In this post, Michele De Shazo, Assistant Registrar for Visual Resources and Collection, describes a work she finds “creepy” with three great words.
Arthur G. Dove, Lake Afternoon
Michele De Shazo, Assistant Registrar for Visual Resources and Collection
Last week preschool and kindergarten students from Tyler Elementary School took cues from the masters. In the art workshop, preschoolers experimented with different tools to make abstract expressionist paintings, just like Jackson Pollock. Later in the day kindergarteners drew their own versions of Arthur Dove’s Cows in Pasture (1935) and Georgia O’Keeffe’s Red Hills, Lake George (1927).
Natalie Mann, School, Outreach, and Family Programs Coordinator
Photos: Natalie Mann
Arthur Dove‘s influence on 20th century animation?
(left) Arthur Dove, Coal Carrier, 1929 or 1930. Oil on canvas, Oil on canvas, 20 x 26 in. The Phillips Collection, Washington, D.C. Acquired 1930. (left) Domo, mascot of NHK (Japanese Broadcasting Corporation).
(left) Arthur Dove, 1941, 1941. Wax emulsion on canvas, 25 x 35 in. The Phillips Collection, Washington, D.C. Acquired 1942. (right) Looney Tunes' Marvin the Martian (with Bugs Bunny).