On Friday evening, March 6, about 40 special guests gathered in a small library at the Metropolitan Club (New York, NY) for a reception celebrating contemporary art at the Phillips. While sipping on champagne, our guests were treated to a salon conversation between Director Dorothy Kosinski and philanthropist, arts patron, and collector Agnes Gund, who captivated the audience with anecdotes from her rich collecting experience.
Top row: Director Dorothy Kosinski in conversation with collector Agnes Gund; Bottom left: Kosinski and Mark Smith; Bottom right: Phillips Contemporaries Carl Bedell, Allana D’Amico, Laura Deming, and event host Todd Galaida
In the spirit of collecting and Duncan Phillips’s vision, Kosinski took the opportunity to announce an exceptional gift of 18 American sculptors’ drawings, promised by Phillips trustee and art collector Linda Lichtenberg Kaplan, showcasing the museum’s commitment to building a carefully crafted, in-depth collection. “These extraordinarily generous gifts enable us to extend Duncan Phillips’s legacy in meaningful ways,” she said. “Through such outstanding works, we can strengthen the museum’s already authoritative voice for modern and contemporary art, while also enriching our distinctive exhibition narrative—one renowned for the visual conversations created between important American and European artists.”
“Crazy Walls” by Angela
Angela, winner of June’s uCurate prize, made us laugh with her short, sweet, and accurate description of her think-outside-the-box exhibition:
The uCurate app is now available for Apple and Android devices. Start curating for your chance to win next month’s prize, a Made in the USA exhibition catalogue.
Marjorie Phillips painted Night Baseball in 1951, capturing an all American moment that was also so D.C.–the Washington Senators playing the Yankees at Griffith Stadium, a historic ballpark that stood at Georgia Avenue and W Street, NW, until 1965. This summer, the painting joins a selection of work by some 80 artists to tell the story of art in the district beginning in the 1940s. Washington Art Matters: 1940s-1980s is on view at American University’s Katzen Art Center through August 11. When you visit, you’ll recognize other works from the Phillips–Gene Davis’s Black Flowers (1952) and Augustus Vincent Tack’s Time and Timelessness (The Spirit of Creation) (between 1943 and 1944). The exhibition is accompanied by a free lecture series, co-sponsored by Art Dealers Association of Greater Washington, which aims to provide attendees with the skills they need to be art collectors themselves.
Marjorie Phillips, Night Baseball, 1951. Oil on canvas, 24 1/4 x 36 in. The Phillips Collection, Washington, D.C. Gift of the artist, 1951 or 1952