“Immersing oneself in the soulful reveries of Lovell’s art opens a window onto our shared past, and it’s ongoing reverberations in our contemporary world.” More from Exhibition Curator Elsa Smithgall on Whitfield Lovell: The Kin Series and Related Works in this video.
The National Museum of African American History and Culture officially opens its doors tomorrow! We’re celebrating by highlighting the work of Whitfield Lovell, whose Card Series II is part of the new Smithsonian’s permanent collection, and whose Kin Series (along with a number of his other related works) are on view at the Phillips beginning Oct. 8.
1) Inspiration for Whitfield Lovell’s Kin Series images came from photo booths photos, passports photos, mugshots and the like. The artist combines freely-drawn Conté crayon faces with time-worn objects such as a brooch, clock, shoe, or mirror.
2) In the words of the artist, Lovell’s work examines “the markings that the past has made—and continues to make—on who we are.”
3) Lovell’s most recent works are his “tableaux,” in which he combines Conté crayon portraits on antique wood panels with found objects. The images are drawn freehand in charcoal on the panels, giving careful thought to the grain and texture of each surface,and then adds found objects to create three-dimensional tableaux.
Two conté crayon works on paper of women singing by Seurat on view in the exhibition; two days left to see Neo-Impressionism and the Dream of Realities.