“Sugimoto’s sculptures in particular are a testimony of the intricate relationship between art and mathematics,” says Klaus Ottmann, curator of Hiroshi Sugimoto: Conceptual Forms and Mathematical Models. “Both art and mathematics deal with the unimaginable, the non-represent-able; in this case the notion of infinity.”
On Friday evening, March 6, about 40 special guests gathered in a small library at the Metropolitan Club (New York, NY) for a reception celebrating contemporary art at the Phillips. While sipping on champagne, our guests were treated to a salon conversation between Director Dorothy Kosinski and philanthropist, arts patron, and collector Agnes Gund, who captivated the audience with anecdotes from her rich collecting experience.
Top row: Director Dorothy Kosinski in conversation with collector Agnes Gund; Bottom left: Kosinski and Mark Smith; Bottom right: Phillips Contemporaries Carl Bedell, Allana D’Amico, Laura Deming, and event host Todd Galaida
In the spirit of collecting and Duncan Phillips’s vision, Kosinski took the opportunity to announce an exceptional gift of 18 American sculptors’ drawings, promised by Phillips trustee and art collector Linda Lichtenberg Kaplan, showcasing the museum’s commitment to building a carefully crafted, in-depth collection. “These extraordinarily generous gifts enable us to extend Duncan Phillips’s legacy in meaningful ways,” she said. “Through such outstanding works, we can strengthen the museum’s already authoritative voice for modern and contemporary art, while also enriching our distinctive exhibition narrative—one renowned for the visual conversations created between important American and European artists.”
Performance of Pedro Lasch’s Abstract Nationalism / National Abstraction: Anthems for Four Voices
“In a way the utopian or ideal audience for this work in terms of having no noise and really perceiving everything at its full capacity, is the polyglot of the absurd extreme, or the multinational being… Politics itself has abstraction at its core. Like the idea of the Four Powers, the idea of representation, all of these things are abstractions. For me at least I hope the project will bring that to the fore, and make it unavoidable. The ceremonial aspect of national ritual.” —Pedro Lasch
Gallery goers were surprised by a spontaneous opera, and then lead into the Music Room for a full recital. The compositions heard were national anthems all sung in the language of the country that falls directly after theirs in the alphabet. Lasch also created new flags combining the elements of multiple flags which were marched throughout the museum.
Below in conversation with Phillips Media Presentation Specialist Katie Micak, Lasch discusses the impetus of the project, its relationship to nationalism, noise, clarity, and the conventions of the museum.