Let There Be Light: Installing Bernardi Roig’s Herr Mauroner

After suspending one sculpture in the alleyway between the original Phillips house and the Goh Annex last week, installation of Bernardi Roig‘s works continued with Herr Mauroner (2008), which peers down at passersby from a balcony overlooking 21st Street.

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A view of Bernardi Roig’s Herr Mauroner (2008) before the fluorescent lights, which will be placed over the figure’s right shoulder, are added. Polyester resin, marble dust and fluorescent lights. Figure life size. Photo courtesy The Phillips Collection

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Artist Bernardi Roig and Phillips Preparator Bill Koberg adjust the fluorescent lights (and accompanying wires) during the installtion of Herr Mauroner (2008). Photo courtesy The Phillips Collection

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View from behind the finished installation of Herr Mauroner (2008), a view not accessible to the public. Photo courtesy The Phillips Collection

Caption This Contest: Bernardi Roig’s Man of Light

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Dan Datlow, Director of Facilities and Security, inspecting Bernardi Roig’s The man of the light, 2005. Polyester resin, marble dust and fluorescent lights. Figure life size. Collection of Mirella and Dani Levinas, Washington, DC

In preparation for Bernardi Roig‘s white plaster sculptures coming to the Phillips this October, Director of Facilities and Security Dan Datlow visited the work. Leave your captions for this photo in the comments or on social media with #RoigCaptions for a chance to win two member-for-a-day passes!

Associate Registrar for Exhibitions Trish Waters gets us started with her submission: “What did I tell you?  No shirt, no shoes—no service!”

**UPDATE: Congratulations to Facebook fan Maura, who wins this round with: “I didn’t know it was a Dan Flavin, I thought they were spare lights for the cafeteria.”

Goodbye Illuminated Archives; Welcome Participant

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Installation view of Participant, Vesna Pavlović’s exhibition at G Fine Art Gallery. Photo: Vesela Sretenović

As Illuminated Archive, an Intersections project by Vesna Pavlović is approaching its end (closing Sunday, September 28), a new project by the Serbian-born, Nashville-based artist just opened on Saturday, September 13, at G Fine Art in its new 14th Street location.

In this exhibition, the artist continues to explore the archive of images, this time drawn from the Museum of Yugoslav History in Belgrade, Serbia. This brings into play not only the photographic records of the socialist era under the President Josip Broz Tito, she remembers as Participant, but also her own memories of a time that no longer exists.

Senior Curator of Modern and Contemporary Art, Vesela Sretenović

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Installation view of Participant, Vesna Pavlović’s exhibition at G Fine Art Gallery.