We love how creative Instagrammers have been getting when snapping photos of Bernardi Roig’s sculptures inside and outside of the museum. Here are some of our favorites.
Unique angles of Bernardi Roig’s sculpture An Illuminated Head for Blinky P. (The Gun), 2010 from (left) @catbradley and (right) @pootie_ting
Roig’s The Man of the Light (2005) as seen by instagrammers (left) @vajiajia and (right) @frisbeejackson
These two instagrammers caught almost the exact same image in reverse (top: @zlexi, bottom: @katemartian)
Roig’s Acteón (2005) from below (photo: @lgomez66) and above (photo: @vajiajia)
There’s one good thing about the days getting shorter: there’s more time to enjoy Bernardi Roig’s sculptures in all of their illuminated glory. Beautiful as they are during the day, Intersections artist Roig‘s works comprised of white plaster figures and fluorescent lights are especially captivating at night. Here’s a look at the works after the sun has gone down.
Bernardi Roig, White Cage, 2014. Iron and fluorescent light, 106 1/4 x 47 1/4 x 11 7/8 in. Courtesy Kewenig Gallery, Berlin/Palma de Mallorca. Image courtesy the artist
Bernardi Roig, Acteón, 2005. Polyester resin, marble dust and fluorescent lights. Figure life size. Courtesy Max Estrella Gallery, Madrid. Image courtesy the artist.
Bernardi Roig, Herr Mauroner, 2008. Polyester resin, marble dust and fluorescent lights. Figure life size. Courtesy MAM Mario Maroner Contemporary, Vienna. Image courtesy the artist.
Bernardi Roig, An illuminated head for Blinky P. (The Gun), 2010. Polyester resin, marble dust and fluorescent light. Figure life size. Courtesy Galerie Klüser, Munich. Image courtesy the artist.
Installation of several works by Bernardi Roig is in progress as we near the opening date of his Intersections project at the Phillips, NO/Escape. Three of the works will be outside of the museum’s walls, including Acteon (2005), which will hang in the alleyway between the original Phillips house and the Goh Annex, a 1960s addition.
Installation of Bernardi Roig’s, Acteon, (2005). Polyester resin, marble dust and fluorescent lights. Figure life size. Courtesy Max Estrella Gallery, Madrid
The sculpture is lifted to the desired height on the wall with the help of Phillips preparators. Photos courtesy The Phillips Collection
Artist Bernardi Roig looks on as installation continues. Photos courtesy The Phillips Collection
Acteon from below, awaiting the final piece of the installation: a beam that will stem from the sculpture’s back and connect the original Phillips house with the Goh Annex. Photo courtesy The Phillips Collection
The finishing touches are put on Bernardi Roig’s Acteon.