Installation of several works by Bernardi Roig is in progress as we near the opening date of his Intersections project at the Phillips, NO/Escape. Three of the works will be outside of the museum’s walls, including Acteon (2005), which will hang in the alleyway between the original Phillips house and the Goh Annex, a 1960s addition.
Installation of Bernardi Roig’s, Acteon, (2005). Polyester resin, marble dust and fluorescent lights. Figure life size. Courtesy Max Estrella Gallery, Madrid
The sculpture is lifted to the desired height on the wall with the help of Phillips preparators. Photos courtesy The Phillips Collection
Artist Bernardi Roig looks on as installation continues. Photos courtesy The Phillips Collection
Acteon from below, awaiting the final piece of the installation: a beam that will stem from the sculpture’s back and connect the original Phillips house with the Goh Annex. Photo courtesy The Phillips Collection
The finishing touches are put on Bernardi Roig’s Acteon.
Intersections artist Bernardi Roig inside one of his works, White Cage, coming to the Phillips this fall. Photo: Vesela Sretenovic
In preparation for Intersections artist Bernardi Roig’s exhibition at the Phillips opening in October, Senior Curator for Modern and Contemporary Art Vesela Sretenovic is in Mallorca for a studio visit and an opening at Kewenig Gallery of the artist’s work. See images from a previous visit to Roig’s studio here.
Roig with his work An illuminated head for Blinky P. (The Gun), 2010. Polyester resin, marble dust and fluorescent light. Figure life size. Courtesy Galerie Klüser, Munich. Photo: Vesela Sretenovic
Opening night of Bernardi Roig’s show at Kewenig Gallery. Photos: Vesela Sretenovic
The artist in his exhibition space. Photo: Vesela Sretenovic
Installation view of Roig’s exhibition at Kewenig Gallery in Mallorca. Photo: Vesela Sretenovic
Artist Kelly Towles and his dogs in his studio. All photos courtesy The Phillips Collection
Last week, DC-based artist and long-time Phillips fan Kelly Towles brought some of the masterworks from Made in the USA into the 21st century—and gave them some attitude. Best known for his vibrant murals all around DC (think Toki Underground, DC Brau, U Street Music Hall) often featuring fantastical masked figures, Towles used spray paint and ink to add his signature street art style to reproductions of James Abbott McNeill Whistler’s Miss Lillian Woakes (between 1890 and 1891) and Edward Hopper’s Approaching a City (1946). A limited number of t-shirts and totes with these images will be available in the museum shop in the coming weeks—stay tuned for more information.
We visited Towles’s studio to catch the artist at work:
Towles adding to Edward Hopper’s Approaching a City
Towles working on Whistler’s Miss Lillian Woakes
The final product by Kelly Towles