Four mural artists completed an original work on the back courtyard wall of The Phillips Collection in late October. Muhsana Ali, Fodé Camara, Viyé Diba, and Piniang (Ibrahima Niang) were part of a larger group of painters that created a mural at the US Embassy in Dakar in May 2014. The Senegalese artists traveled here as part of a cultural exchange organized by the State Department’s ART in Embassies program. Huge thanks to generous supporters Toni A. Ritzenberg, Millennium Arts Salon, CulturalDC, International Arts and Artists, and the Cameroon American Council.
What would you do with your very own little sun? Danish-Icelandic artist Olafur Eliasson and engineer Frederik Ottesen created this solar-powered LED lamp in an effort to get affordable and reliable light to areas across the globe without electricity. Five hours of charging yields three hours of bright light. Learn more at Phillips after 5 on Feb. 6, where we’ll be screening a short film on the Little Sun Project, and join in on some Twitter trivia for a chance to win one!
The February Phillips after 5 celebrates all things light with the Nordic embassies, from innovative Nordic lamp design to gallery talks on how artists use light in their work to an aurora borealis-inspired light show outside of the museum and in the Music Room. Follow the Phillips on Twitter that evening and answer #NordicLights trivia questions for a chance to win one of five Little Sun lamps (and other fun prizes).
In November, thirteen emerging artists whose work is featured in Pakistani Voices: In Conversation with The Migration Series visited the United States for an 11-day cultural exchange program, touring museums in DC and New York and also visiting one of the Phillips’s partner schools, Takoma Education Campus. Five of the artists participated on a panel at the Phillips to discuss their work with Rachel Goldberg in Pakistan and their trip to DC.
Artist Muhammed Zeeshan Younas shares his thoughts about what the experience has taught him:
- For me art is not only for the artists—art is for everyone. Everyone should understand what you are trying to say through your artwork. That is why I’ve been learning all kind of tools of art—I started as a sculptor, and then I went to painting, and now I am working on videos and animation. Talking to so many people from kids to elders on this trip has inspired me—I say to them, “What inspires you? Who are you?” and they express themselves. Sometime they tell me about their problems, about what they like, what they dislike. I already know what people in my country think, and when I came here and talked to Americans, I really feel no difference, even from the kids. People are so friendly—they respond to me. And I want to incorporate this into my art because when we use the term social change, it means we need to know what our society needs and how to communicate these problems in art. Because art is for society so we must understand it what society wants and needs.