Baltimore-based artist Bernard Hildebrandt gives El Greco’s The Repentant St. Peter (1600-1614) a face lift (literally) in the new Intersections project at The Phillips Collection. Two things about this project are interesting to me: the sound that echoes across the room and the placement of the art work. The sound to me is like a low growl emanating from St. Peter’s mouth, an agonized groan. It is mesmerizing. Moreover, the work is shown in low lighting, giving the room an eerie atmosphere. The project sits right in the middle of the permanent collection. Just around the corner is the cheerful Luncheon of the Boating Party (1880-81) by Renoir.
El Greco was recalling the traditions of Byzantium icon paintings with his up-close view of the holy man’s face, but in the then-contemporary Baroque style depicting high drama and emotion. Hildebrandt brings El Greco’s work into the 21st century by converting a series of images into a new medium–video.
We will have a chance to hear more from Hildebrandt about the process behind his work in an Artist’s Perspective talk this Saturday, July 20, at 3 pm. I wonder what El Greco would have thought of the intersection?
Jane Clifford, Marketing Intern
Phillips educators saw a familiar face during a field trip to the National Gallery of Art on Monday. Check out the uncanny resemblance between the title figure in the Gallery’s Laocoön (c. 1610/1614) and the Phillips’s The Repentant St. Peter (between 1600 and 1614), both by El Greco.
It was a very timely happenstance considering the Intersections project A Conjunction of Verb opening tomorrow at the Phillips, in which Baltimore-based artist Bernhard Hildebrandt reinterprets El Greco’s work in photography and video.
Are there more St. Peter lookalikes out there?
Natalie Mann, School, Outreach, and Family Programs Coordinator