Separated at Birth?

picstitch

Left: A detail of El Greco’s Laocoon, on view at the National Gallery of Art.
Right: El Greco’s The Repentant St. Peter, currently on view at the Phillips.

Phillips educators saw a familiar face during a field trip to the National Gallery of Art on Monday. Check out the uncanny resemblance between the title figure in the  Gallery’s Laocoön (c. 1610/1614) and the Phillips’s The Repentant St. Peter (between 1600 and 1614), both by El Greco.

It was a very timely happenstance considering the Intersections project A Conjunction of Verb opening tomorrow at the Phillips, in which Baltimore-based artist Bernhard Hildebrandt reinterprets El Greco’s work in photography and video.

Are there more St. Peter lookalikes out there?

Natalie Mann, School, Outreach, and Family Programs Coordinator

A Scientist’s Perspective on Kirkeby

At last night’s Phillips after 5, Michael Garstang, an atmospheric scientist at the University of Virginia’s Department of Environmental Sciences provided his perspective on the Kirkeby exhibition. He began his talk by making connections between art and science saying, “Both fields draw upon creativity as the prime motive. . . both are products of infinite, incremental steps, and both must be founded upon a preconceived framework.”

Per Kirkeby, Untitled, 2006. Tempera on canvas, 78 3/4 x 98 1/2 in. Courtesy Michael Werner Gallery, New York, London, and Berlin

Per Kirkeby, Untitled, 2006. Tempera on canvas, 78 3/4 x 98 1/2 in. Courtesy Michael Werner Gallery, New York, London, and Berlin

Garstang talked about the infinite process of sedimentation, laying down grain by grain to form layers, strata, and structures in his discussion of this untitled work, which Kirkeby painted in 2006. He interpreted the parallel bands at the center of the canvas as possible “fossilized tree trunks,” citing Kirkeby’s writings on trees in which the artist explains, “I don’t think I have ever drawn a whole tree.” Despite the painting’s framework, Garstang noted that Kirkeby “interrupted the form with discordant shapes juxtaposed with a sphere.” He wondered “Is it detritus? Glacial till? Blue ice?” Like Kirkeby, Garstang was reluctant to interpret the end result saying, “I’ll let you sort this one yourselves.”