Henri Evenepoel and Louise de Mey: Star-Crossed Cousins/Lovers

In honor of Valentine’s Day, this is the second in a series of three love stories, featuring artists in the Snapshot exhibition—Pierre Bonnard, Henri Evenepoel, and Edouard Vuillard—and the ladies they loved. Today’s story is that of Belgian artist Henri Evenepoel and his lady love Louise de Mey.

“ . . . I felt a mission, a duty, a usefulness, a reason to be: together we struggle, suffer, oh yes! horribly, but I have no regrets because I have found a soul to fortify mine.”

– Henri Evenepoel, 1897

Henri Evenepoel, Louise at Wépion, summer 1897. Modern gelatin silver print, 2011, from original negative, 1 1/2 x 2 in. © Archives of Contemporary Art in Belgium–Royal Museums of Fine Arts of Belgium, Brussels.

Henri Evenepoel’s life could be the basis of a fantastically dramatic HBO or BBC miniseries. His short life was punctuated by love, sickness, and brilliant artistic talent. His love story, almost Shakespearean in its tragedy, began—where else?— in Paris.

Evenepoel arrived in Paris in 1892 at the age of twenty. He quickly fell in love with his new city and with his cousin, Louise de Mey. Yes, his cousin. To add more drama to an already uncomfortable situation, Louise was married with two small girls, Henriette and Sophie. But that didn’t stop Evenepoel and Louise from falling in love and producing a son, Charles, in 1894. Continue reading “Henri Evenepoel and Louise de Mey: Star-Crossed Cousins/Lovers” »

Meet Snapshot: Maurice Denis

Maurice Denis (1870–1943)
Maurice Denis, a painter and critic, founded the Nabis in 1888 and published the group’s manifesto in the magazine Art et critique. Denis mostly photographed his wife and their seven children, sometimes experimenting with extreme close-ups. He left behind 2,689 prints and 1,250 negatives. He had his negatives developed professionally; his wife did the printing and stored the images in albums.