From Our Family To Yours, Happy Thanksgiving!

From the Phillips family to yours, Happy Thanksgiving! Here are some of our favorite artist portrayals of family from the collection.

Family 1

George Bellows, My Family, No. 2, 1921. Lithograph on paper. The Phillips Collection, Washington, DC, Acquired 1945

family 2

Arnold Newman, Estee Lauder Family Group, 1979/printed later. Gelatin silver print, overall: 11 in x 14 in. The Phillips Collection, Washington, DC, Gift of Adam and Susan Finn, 2012

family 3

Henry Moore, Family Group, 1946. Bronze, 17 1/2 x 13 x 8 5/8 in.The Phillips Collection, Washington, DC, Acquired 1947

Tooting His Own Horn

With two young children, I don’t have a lot of time to participate as fully as I’d like to in the annual DC Jazz Festival, but I always look forward to bringing my family to Jazz ‘n Families Fun Days! The Phillips bustles with activities—musical performances, gallery talks, storytelling, and art workshops. This year, my son loved the instrument petting zoo, where he got to see, hear, and try out a variety of instruments, including the trumpet and trombone.

 Photos: Rachel Godlberg (top), Brooke Rosenblatt (bottom)

Photos: Rachel Godlberg (top), Brooke Rosenblatt (bottom)

You Are My Work of Art

Cover of Sue DiCicco's book You Are My Work of Art!I’m always looking for opportunities to encourage a love and curiosity for art in my 21-month old son, Adrian. He’s not quite ready to handle books with delicate pages (he loves ripping them out and then saying “Oh, no!”) so often we read more durable board books. You Are My Work of Art (available in the museum shop) is one of our favorites.

Written and illustrated by former Disney animator Sue DiCicco, the book features eight mostly well-known artworks like Mona Lisa, The Starry Night, and American Gothic. DiCicco places each painting under a flap (yeah manipulatives!) that children lift up to discover the artwork. On top of the flap, she includes a short poem about the picture. DiCicco pairs the paintings with more kid-friendly versions she’s illustrated—think a little girl playing dress-up in her mom’s closet and posing to look like Mona Lisa.

Adrian and I love reading this book together. He enjoys lifting the flaps and comparing the pictures. I like that he gets so excited by art. For instance, each time we turn to the page featuring Under the Wave off Kanagawa he yells, “Water!” He also imitates some of the poses; at the end of the book DiCicco includes a Mother and Child painting by Mary Cassatt. Every time we turn the page, Adrian instinctively lifts up his hand and places it on my chin. How could a mother resist any book that guarantees such tender interaction?