Perhaps We All Come From Pissarro

Pissarro_Quarry

Camille Pissarro, Quarry, Pontoise, c. 1874. Oil on canvas, 22 7/8 x 28 1/2 in. The Rudolf Staechelin Collection © Kunstmuseum Basel, Martin P. Bühler

On view in Gauguin to Picasso: Masterworks from SwitzerlandCamille Pissarro‘s Quarry, Pontoise is a lush, peaceful scene. After the Franco-Prussian War, the artist moved from Louveciennes to Pontoise in the rural Oise Valley, where he lived from 1872–82. He chose the hamlet of l’Hermitage for almost his entire stay, inspired by its streets, fields, and countryside. Here, Pissarro shows a woman with a basket walking past a quarry on the arcing path of the rue de l’Hermitage, which leads to the Saint-Antoine ravine. In this area 25 miles northwest of Paris, Pissarro painted side-by-side with Paul Cézanne from 1872 to 1874. Both artists greatly admired and influenced each other. Cézanne claimed to be a pupil of Pissarro and stated: “Perhaps we all come from Pissarro.”

A Break for Sunlight and Warmth

It was with great pleasure yesterday that many of us attended a brown bag lunch talk from guest curator Cornelia Homburg who previewed her upcoming exhibition at the Phillips opening September 27th, 2014. Images, such as those below, quickly transported us from the unwelcome snow of DC to warm, sunny southern France.

(Left) Henri-Edmond Cross,  Plage de la Vignasse, les Iles d'Or, 1891-1892, huile sur toile. 65,5 x 92,2 cm. © MuMa Le Havre / David Fogel

(Left) Henri-Edmond Cross, Plage de la Vignasse, les Iles d’Or, 1891-1892, huile sur toile. 65,5 x 92,2 cm. © MuMa Le Havre / David Fogel (Right) Paul Signac, Setting Sun. Sardine Fishing. Adagio. Opus 221 from the series The Sea, The Boats, Concarneau, 1891. Oil on canvas, 25 5/8 x 31 7/8″ (65 x 81 cm). Mrs. John Hay Whitney Bequest. 585.1998 © 2014 Artists Rights Society (ARS), New York / ADAGP, Paris.