Talking Migration and Identity with Wajahat Ali

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Wajahat Ali facilitates the first #PhillipsConversation in a monthly series this fall. Photo: Laura Hoffman

Last month, Wajahat Ali visited the Phillips to facilitate the first #PhillipsConversation in a monthly series taking place during the fall of 2016. We came up with the idea for these open conversations in the hopes that they would serve as a platform for audiences to further engage on larger issues represented in People on the Move: Beauty and Struggle in Jacob Lawrence’s Migration Series. Each talk begins with a “big idea” and follows with questions related to the monthly #PhillipsConversation prompt on the first floor of the museum. Wajahat Ali’s discussion focuses on themes of migration and immigration. See the storify from the Phillips’s live tweets and participants inside and outside of the galleries below, and join us for the next #PhillipsConversation with Porchia Moore on Nov. 10.

Head, Shoulders, Knees, and Toes with Antony Gormley

Walking through the galleries this morning, I happened upon a very charming crowd of children mesmerized by Antony Gormley‘s spiky sculpture Aperture XIII (2010) and even more mesmerized by the artist himself, who engaged them in an impromptu discussion about what they saw (a tree with a sun for a head! a satellite exploding around a brain!)

  Cecilia Wichmann, Publicity and Marketing Manager

(left) Antony Gormley, Aperture XIII, 2010. Steel, 74 3/8 x 21 1/4 x 11 3/8 in. Private collection © Antony Gormley. Image courtesy Sean Kelly Gallery, New York. Photo: Stephen White, London. (right) Antony Gormley speaks with a group of children about his sculpture in the Phillips exhibition. Photo: Cecilia Wichmann

(left) Antony Gormley, Aperture XIII, 2010. Steel, 74 3/8 x 21 1/4 x 11 3/8 in. Private collection © Antony Gormley. Image courtesy Sean Kelly Gallery, New York. Photo: Stephen White, London. (right) Antony Gormley speaks with a group of children about his sculpture in the Phillips exhibition. Photo: Cecilia Wichmann

Antony Gormley and a group of children discuss his sculpture

Photo: Cecilia Wichmann

Antony Gormley talks with the kids about the brain of his sculpture Aperture XIII.

Photo: Cecilia Wichmann

First Views of the Eiffel Tower

Chief Curator Eliza Rathbone describes Henri Rivière’s photographs and prints of the then-brand-new Eiffel Tower on the Snapshot exhibition audio tour. Rivière will be the subject of gallery talks at the museum at 6 and 7 pm tonight as part of Phillips after 5.

http://www.phillipscollection.org/audio/exhibitions/snapshot-audio-tour-stop-3.mp3

(left) Henri Rivière, Plate 36, The Painter in the Tower, from Thirty-Six Views of the Eiffel Tower, 1888–1902. Lithograph, 8 1/4 x 6 5/8 in. Fine Arts Museums of San Francisco, Achenbach Foundation for Graphic Arts. © 2012 Artists Rights Society (ARS), New York / ADAGP, Paris. Photo: Réunion des Musées Nationaux / Art Resource, NY. (right) Henri Rivière, The Eiffel Tower: Painter on a knotted rope along a vertical girder, below an intersection of girders, 1889. Gelatin silver print, 4 3/4 x 3 1/2 in. Musée d’Orsay, Paris. Gift of Mme Bernard Granet and her children and Mlle Solange Granet, 1981. © 2012 Artists Rights Society (ARS), New York / ADAGP, Paris.

Just as the Eiffel Tower was being completed Henri Riviere and several friends were invited by Gutave Eiffel to climb inside it to the top and to experience its thrilling modernity and dizzying heights. That he recorded this experience in photographs was utterly unknown for many years. Continue reading “First Views of the Eiffel Tower” »