“School of Paris” on view in the Music Room

New installation in the Music Room. Photo: Joshua Navarro

New installation in the Music Room featuring the “School of Paris”. Photo: Joshua Navarro

Preparators Alec MacKaye and Bill Koberg install works

Preparators Alec MacKaye and Bill Koberg install Modigliani’s Elena Pvolozky in the Music Room as part of the “School of Paris” installation. Photo: Renee Maurer

 

The music room was recently installed with modern European works from the collection. The paintings featured are by artists who were either born in France or immigrated there to work in Paris during the first half of the twentieth century. A destination for artists of all nationalities, many spent time in the lively Parisian neighborhoods of Montmartre and Montparnasse and experienced thriving and unparalleled creativity. Loosely grouped as the “School of Paris“, these painters experimented with diverse styles and techniques, from Cubism to Expressionism, to convey traditional subjects such as portraiture, landscapes, and still life. This installation includes paintings by André Derain (b. Chatou, France, 1880–d. Garches, France 1954); Maurice Utrillo (b. Paris, 1883–d. Paris, 1955); Amedeo Modigliani (b. Livorno, Italy 1884–d. Paris, 1920); Chaim Soutine (b. Smilovitchi, Lithuania 1893–d. Paris, 1943); and Georges Rouault (b. Paris, 1871–d. Paris, 1958).

Did you ever wonder how works are installed in the music room? Very carefully. Preparators Alec MacKaye and Bill Koberg are shown above on scaffolding in the process of hanging Elena Povolozky (1917) by Modigliani.

Renée Maurer, Assistant Curator

Congenial Spirits: Chagall and Bonnard (Off the Walls)

As the galleries are closed to the public today, curator Elsa Smithgall took the opportunity to bring out the Phillips’s monumental The Terrace (1918) by Pierre Bonnard alongside other paintings by the artist in our permanent collection. Bonnard’s work is presented in conversation with this dreamy painting by Marc Chagall. You can visit them beginning tomorrow, but for now here’s an off-the-wall preview.

Stay tuned for a series of spotlight talks about Chagall’s painting at noon every Thursday in January. The spotlights anticipate a theater program here at the Phillips on January 31, which will preview the world premiere of a play created by Double Edge Theatre that is inspired by Chagall’s work—The Grand Parade (of the Twentieth Century)—on stage at Arena February 6–10.

(clockwise from top) Marc Chagall's The Dream (1939) and Pierre Bonnard's The Terrace (1918) take their positions and wait to be hung. Bonnard's The Open Window (1921) and The Checkered Tablecloth (c. 1925) will soon hang side by side. Bonnard's Interior With Boy (1910) and Bowl of Cherries (1920) await placement.

(clockwise from top) Marc Chagall’s The Dream (1939) and Pierre Bonnard’s The Terrace (1918) take their positions and wait to be hung. Bonnard’s The Open Window (1921) and The Checkered Tablecloth (c. 1925) will soon hang side by side. Bonnard’s Interior With Boy (1910) and Bowl of Cherries (1920) await placement.

We’re Big in Qatar

From the Gulf Times newspaper, Tuesday, October 23, 2012.

Preparator Alec MacKaye got a funny e-mail from a friend who, teaching Irish literature at Georgetown University’s Doha campus in Qatar, was quite amused to not only see a photo from home in his local Gulf Times newspaper, but also to find that it featured his friend Alec at work. Icing on the cake that Alec was walking a giant wrapped bear sculpture down the sidewalk. You know, just a normal day for a museum preparator