When lawyers go on vacation, they likely avoid courthouses. When teachers take a holiday, they don’t tour the local schools. But when museum folks go globe-trotting, well, we just can’t help ourselves. And it was just that inescapable magnetism of an art-filled gallery that caused a serendipitous and delightful run-in, in Paris, between two vacationing Brookes (Brooke Horne of the director’s office and Brooke Rosenblatt of the education department) at the Centre Pompidou last week. Mere footsteps away, another traveling Phillips resident, Matisse’s Interior with Egyptian Curtain (1948), was also there on loan as part of their exhibition, Matisse: Pairs and Sets, which closed on Monday.
Kurtis Ceppetelli, Museum Assistant
How did you learn about the Phillips?
Do you feel you are inspired by the Phillips art?
I am very much inspired by the Phillips art. Since I’ve worked here, my work has changed to a stronger, more contemporary feel. I guess the art surrounding me at the Phillips has influenced me to make paintings that are new and fresh to help continue the evolution of art.
Do you listen to anything as you do your artwork?
I do listen to music, all types depending on the mood I want to create within the piece. Sometimes I watch/listen to movies, or I will turn on a basketball game or some other game. I use this to obtain outside substance that is transferred into the painting in some way. Continue reading “The Artist Sees Differently: Kurtis Ceppetelli” »
See Karen’s previous post on Kandinsky and twilight here.
Bonnard’s sensitivity to the ways in which colors changed throughout the day was manifest in a letter to Matisse, in which he wrote about Matisse’s painting L’Asie (Asia), which the artist had lent him, “the red there is wonderful late in the afternoon. By day it is the blue that takes the lead. What an intense life the colors have, and how they vary with the light.”
The Palm and Twilight: Purkinje shift
Under conditions of reduced light, the violet figure in The Palm (above) has a spectral appearance and seems to come forward in the space. As light fades, vision shifts from the foveal cones, which are responsive to long wave yellows and reds that compose the daylight, to the peripheral rods. In twilight, short wave colors like mauve and blue increase in brightness and visibility relative to long wave colors. This phenomenon is called the Purkinje shift.
-Karen Schneider, Librarian