Your #Panel61 Highlights: Myth of Return

In the final, 60th panel of The Migration Series, Jacob Lawrence leaves us with the words “And the migrants keep coming.” The story of migration is ongoing; what would the 61st panel look like today? Featured below are some thoughtful responses to this question by local artists. Submit your #Panel61 on our recently launched Jacob Lawrence website.

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Panel 61 submission: Maria-Theresa Fernandes

Maria-Theresa Fernandes
(Above) “This large installation is comprised of 28 panels and shows the various communities that came to the UK, the influence of their culture on the local community, and the richness of what they bringm i.e. food, life, etc.”

(Below) “This work relates to migration and shows the various communities waiting in the queue to be accepted into the country; in this instance, Britain. The work is digitally photographed and manipulated with stitch and collage.”

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Panel 61 submission: Maria-Theresa Fernandes

 

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Panel 61 submission: Brian Whelan, “Myth of Return”

Brian Whelan
(Above) “In my painting Myth of Return, the passengers set out with nothing but a good wind in the sails, a single oar, and a light to steer by. All trust is put into the will of God and the new world to come. They carry little more than their songs, poems, a hope, and a prayer.”

(Below) “As a son of immigrants, I am no stranger to a new culture. Spending time in the US with my American wife has given me another address but the drive of my work remains the same: a search for a spiritual and metaphorical home, which finds some consolation and expression in the subjects I choose to paint. These themes are often narratives drawn from life’s comic tragedies, on both secular and religious planes.”

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Panel 61 submission: Brian Whelan

“In the North they had the freedom to vote.”

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Jacob Lawrence, The Migration Series, Panel no. 59: In the North they had the freedom to vote., 1940–41. Casein tempera on hardboard, 12 x 18 in. The Phillips Collection, Washington, DC, Acquired 1942 © The Jacob and Gwendolyn Knight Lawrence Foundation, Seattle / Artists Rights Society (ARS), New York

Jacob Lawrence’s Migration Series resonates today in many ways, but this Election Day it seems especially fitting to highlight Panel no. 59, whose caption reads: “In the North they had the freedom to vote.” Kinshasha Holman Conwill, Deputy Director of the National Museum of African American History and Culture, puts it well in her oral history recorded in 2015:

“I think as with a lot of great art [The Migration Series] will always have meaning. It will have meaning because it speaks to the human spirit, to human aspirations, to courage, to fear, to love, to family. But this specifically because people will always be on the move, people will always be looking for something better, and that will mean that his work will never lose its resonance for generations to come.”

See the full video and learn more about all 60 panels of The Migration Series here.