Style Profile: Abigail Maynard Chrisman

Photos: Joshua Navarro

Photos: Joshua Navarro

Abigail was one the first people to get on board with Style Profile. I’m glad, not only because is she creative with her fashion choices, but also because she has experience in front of the camera. I asked her a few questions to get a better idea of her fashion sense.

Josh Navarro: How would you describe your style?

Abigail Maynard Chrisman: I grew up in a city where a cyclist in a square dancing dress was hardly worth mentioning – surely that’s influenced my style. I don’t think I subscribe to any particular aesthetic, although I always admire people who do. I just wear things I think are interesting, then usually cover it with sweaters and scarves to protect myself from oppressive air conditioning. I also have a plethora of vintage hats.

JN: What was your outfit for this shoot?

AMC: A J. Crew dress, Nordstrom sweater, and the belt is vintage.

JN: Anything else we need to know?

AMC: I like to follow the style advice, “Always overdress, because you never know where you might end up.”

Joshua Navarro, Museum Assistant and Blog Photographer

Style Profile: Molly Sheldon

Photos: Joshua Navarro

Photos: Joshua Navarro

Molly Sheldon’s style screams out originality. I feel as if everyday, at least one person compliments her on a piece of clothing. She can surprise you when she comes into work wearing a tie that belongs to her boyfriend, a draping skirt with a tiger on it, or this vibrant outfit. Whatever it is, it’s a style of her own, and she wears it well.

Joshua Navarro, Museum Assistant and Blog Photographer

Women’s History at the Phillips: Elmira Bier

Elmira Bier, in white blouse, sits with C. Law Watkins to her left and Marjorie and Duncan Phillips to her right.

Elmira Bier, in white blouse, sits with C. Law Watkins to her left and Marjorie and Duncan Phillips to her right. Standing are Ira Moore (?) and Charles Val Clear. Photo circa 1931.

Elmira Bier graduated from Goucher College and began working as Duncan Phillips’s secretary in 1923. She went on to direct the music concert series beginning in 1941, encouraging young musicians to expand their repertoire to include works that were off the beaten track. Bier altered the landscape of music in Washington; an article referred to her as “a dominating force in the cultural life of this city.” Bier explained that Phillips had conceived of his museum as “a museum of modern art and its sources,” and she tried to follow this example in her programming, encouraging musicians to include contemporary works in their performances. Bier was not a musician or an artist, but she taught herself about both fields.

When asked to describe her role, music critic Paul Hume wrote that “she ran the place.” Former registrar John Gernand said that her versatility was amazing. On the occasion of her retirement party in 1972, he told her, “You may greet Henry Moore or Kenneth Clark and a few moments later take care of calling a plumber, talking to a musician about his program you have not received, or dictating a letter to a publisher about an unsatisfactory color proof, and doing all this with various and frequent interruptions by telephone, intercom, or one of us in person with a question.”

Kevin Grogan, former curatorial assistant, remembered Miss Bier as “crusty, irascible, and hard-headed. Needless to say, she was loved by all.” Elmira was famous for making a fabulous liquor-filled fruitcake which she would insist on serving before noon in a small, enclosed room “that could give you a contact high like you wouldn’t believe.”

Bier’s devotion to the Phillips was matched by her love of organic gardening. She delighted in the first tomato from her garden, as she did in serving lettuce grown in her cold frame for Christmas dinner. She commissioned architect Henry Klumb to build a strikingly contemporary home on Glebe Road in Arlington, which she shared with her companion, Virginia McLaughlin. Elmira tended the vegetable garden while Virginia took care of the trees and bushes.

A letter from Elmira Bier to Alfred Stieglitz, April 3, 1946. The Phillips Collection records, 1920-1960, Archives of American Art, Washington D.C.

A letter from Elmira Bier to Alfred Stieglitz, April 3, 1946. The Phillips Collection records, 1920-1960, Archives of American Art, Washington D.C.