Women’s History at the Phillips: Elmira Bier

Elmira Bier, in white blouse, sits with C. Law Watkins to her left and Marjorie and Duncan Phillips to her right.

Elmira Bier, in white blouse, sits with C. Law Watkins to her left and Marjorie and Duncan Phillips to her right. Standing are Ira Moore (?) and Charles Val Clear. Photo circa 1931.

Elmira Bier graduated from Goucher College and began working as Duncan Phillips’s secretary in 1923. She went on to direct the music concert series beginning in 1941, encouraging young musicians to expand their repertoire to include works that were off the beaten track. Bier altered the landscape of music in Washington; an article referred to her as “a dominating force in the cultural life of this city.” Bier explained that Phillips had conceived of his museum as “a museum of modern art and its sources,” and she tried to follow this example in her programming, encouraging musicians to include contemporary works in their performances. Bier was not a musician or an artist, but she taught herself about both fields.

When asked to describe her role, music critic Paul Hume wrote that “she ran the place.” Former registrar John Gernand said that her versatility was amazing. On the occasion of her retirement party in 1972, he told her, “You may greet Henry Moore or Kenneth Clark and a few moments later take care of calling a plumber, talking to a musician about his program you have not received, or dictating a letter to a publisher about an unsatisfactory color proof, and doing all this with various and frequent interruptions by telephone, intercom, or one of us in person with a question.”

Kevin Grogan, former curatorial assistant, remembered Miss Bier as “crusty, irascible, and hard-headed. Needless to say, she was loved by all.” Elmira was famous for making a fabulous liquor-filled fruitcake which she would insist on serving before noon in a small, enclosed room “that could give you a contact high like you wouldn’t believe.”

Bier’s devotion to the Phillips was matched by her love of organic gardening. She delighted in the first tomato from her garden, as she did in serving lettuce grown in her cold frame for Christmas dinner. She commissioned architect Henry Klumb to build a strikingly contemporary home on Glebe Road in Arlington, which she shared with her companion, Virginia McLaughlin. Elmira tended the vegetable garden while Virginia took care of the trees and bushes.

A letter from Elmira Bier to Alfred Stieglitz, April 3, 1946. The Phillips Collection records, 1920-1960, Archives of American Art, Washington D.C.

A letter from Elmira Bier to Alfred Stieglitz, April 3, 1946. The Phillips Collection records, 1920-1960, Archives of American Art, Washington D.C.

People Who Work Here: Sue Nichols

Sue Nichols

Photo: Sue Ahn

Susan Nichols, Chief Operating Officer

You’re seen a lot in the museum–in the galleries, at various events–is at all work-related or do you like being with the art?

Of course I love being with the art, but mostly I just love being with the people. I am enamored of many of our staff members and working with them is tons of fun. Also, I really enjoy meeting and talking with our visitors and seeing responses to the museum. So I am easily able to combine work with pleasure in this way. I also LOVE many of our programs and want to be part of them.

How did you learn of the Phillips?

I’m too old to remember. It was a long time ago.

Do you have a favorite artist in the collection?

No, but every day I see something fantastic. And I love the Reading Room displays that Librarian Karen Schneider and Cataloguing and Technical Services Librarian Sarah Osborne Bender put together. I adore the fact that we change things up all the time, and I’m amazed at how we can make such a small collection appear fresh and new every day.

Are there more women now in top executive positions at art museums, such as you and Dorothy Kosinski, the Phillips director?

I think the museum field has always been a great place for women. I entered the field in 1985 already in a senior role, and many of my colleagues were (even then) very talented women.

Which smartphone do you use?

Okay, I’m awfully proud to say that I recently upgraded to a Samsung 4G, which (when I acquired it) was one generation ahead of that owned by IT Support Specialist Sandy Lee! Since then, of course, he has won an upgrade as a door prize somewhere, but for a couple of weeks I was on the cutting edge. Pretty rare for me.