The Artist Sees Differently: Roberto Alcaraz

Roberto Alcaraz, Museum Assistant and Sunday Concerts Assistant

Roberto Alcaraz on a break with his guitar. Photo: Joshua Navarro

How did you learn about the Phillips?

A cousin of mine, who was living here at the time, first mentioned it to me soon after my arrival in D.C. However, it did not take long for me to realize its importance in the cultural life of the city.

Do you feel you are inspired by the Phillips art?

Yes. There is a wealth of great works that are really inspiring. Any collection that includes works by van Gogh, Klee, Morandi, Rothko, plus all the major impressionists, is bound to have works worth looking up to.

What do you listen to when you work on your photography?

Curiously, having a music background, I prefer not listening to music when I am in a darkroom doing prints. I try to focus on my task in hand with no distractions, if possible. Continue reading “The Artist Sees Differently: Roberto Alcaraz” »

Congenial Spirits: Klee and Noland

(left) Paul Klee, Young Moe, 1938. Colored paste on newspaper on burlap, 20 7/8 x 27 5/8 in. The Phillips Collection, Washington, D.C. Acquired 1948. (right) Kenneth Noland, In the Garden, 1952. Oil on hardboard, 19 1/2 x 30 in. The Phillips Collection, Washington, D.C. Acquired 1952.

I was dumbstruck when I first saw Paul Klee’s painting Young Moe (1938) up in the Klee Room. How had I never before recognized the apparent influence of this Klee in Kenneth Noland’s In the Garden (1952)?

As a Museum Assistant, I spend a lot of time looking at the art in various galleries, and Young Moe and In the Garden have both been consistently on display during my time at the Phillips. It seems the echos of Klee in Noland’s work are far from accidental–as a young artist in Washington, D.C., Noland spent a lot of time at The Phillips Collection and in the original Klee Room itself.

To make way for the upcoming Joseph Marioni installation, the Noland piece is currently taking a break from the museum walls. You can still find Young Moe in the Klee Room through the end of the year.

Have you noticed resonances between other works at the Phillips? Please post your observations as a comment here.

Piper Grosswendt, Museum Assistant/Marketing Intern

A Room Full of Klee

(Left) Paul Klee, Printed Sheet with Picture, 1937. Oil on canvas, 23 5/8 x 22 1/4 inches. Acquired 1948. (Center) Paul Klee, The Way to the Citadel, 1937. Oil on canvas mounted on cardboard, 26 3/8 x 22 3/8 inches. Acquired 1940. (Right) Paul Klee, Arrival of the Jugglers, 1926. Oil on incised putty on cardboard mounted on cardboard, 6 7/8 x 10 3/4 inches. Acquired 1939.

Duncan Phillips’s Klee Room has been re-created in this upstairs gallery of the original Phillips house. Here’s a glimpse of three of the nine works by Paul Klee, on view now through December 31, in honor of the museum’s 90th anniversary.