Sneak Peek: Man Ray–Human Equations

alls_well_ends_well_trilogy

(left) Mathematical Object: Algebraic Surface of Degree 4, c. 1900. Wood, 3 1/8 x 2 3/8 in. Made by Joseph Caron. The Institut Henri Poincaré, Paris, France. Photo: Elie Posner (middle) Man Ray, Mathematical Object, 1934-35. Gelatin silver print, 9 1/2 x 11 3/4 in. Courtesy of Marion Meyer, Paris. © Man Ray Trust / Artists Rights Society (ARS), NY / ADAGP, Paris 2015 (right) Man Ray, Shakespearean Equation, All’s Well that Ends Well, 1948. Oil on canvas, 16 x 19 7/8 in. Courtesy of Marion Meyer, Paris. © Man Ray Trust / Artists Rights Society (ARS), NY / ADAGP, Paris 2015

Above is an example of what you’ll see in Man Ray–Human Equations: A Journey from Mathematics to Shakespeare, opening in less than two weeks. The exhibition centers on Man Ray’s (1890–1976) Shakespearean Equations, a series of paintings inspired by photographs of mathematical models he made in Paris in the 1930s. Within the galleries, you’ll see the original mathematical models, Man Ray’s inventive photographs of the objects, and the corresponding Shakespearean Equation painting displayed side-by-side for the first time.

For The Birds (Of Prey)

2012.014.0017

Gjon Mili, Sparrow Hawk about to Land on Gloved Hand of Young Boy, ca. 1942. Gelatin silver print overall: 10 in x 8 in. The Phillips Collection, Washington, DC. Gift of Adam and Susan Finn, 2012.

Our neighbors at the Smithsonian American Art Museum are holding an #ArtBirds Social Media Scavenger Hunt during September and October, and if there’s one animal that you’ll see over and over again in works at The Phillips Collection, it’s birds. We have a lot of them. We thought it only fitting to jump in on the fun! This week’s theme is “Birds of Prey,” so we’re submitting this photo of an oddly cheerful boy who’s about to come into direct contact with a hawk roughly the size of his head. Happy #ArtBird-watching!

Goodbye Illuminated Archives; Welcome Participant

Pavlovic opening_G Fine Art_1

Installation view of Participant, Vesna Pavlović’s exhibition at G Fine Art Gallery. Photo: Vesela Sretenović

As Illuminated Archive, an Intersections project by Vesna Pavlović is approaching its end (closing Sunday, September 28), a new project by the Serbian-born, Nashville-based artist just opened on Saturday, September 13, at G Fine Art in its new 14th Street location.

In this exhibition, the artist continues to explore the archive of images, this time drawn from the Museum of Yugoslav History in Belgrade, Serbia. This brings into play not only the photographic records of the socialist era under the President Josip Broz Tito, she remembers as Participant, but also her own memories of a time that no longer exists.

Senior Curator of Modern and Contemporary Art, Vesela Sretenović

Pavlovic opening_G Fine Art_2

Installation view of Participant, Vesna Pavlović’s exhibition at G Fine Art Gallery.