What Lies Beneath

(Left) Pablo Picasso, The Blue Room, 1901, Oil on canvas 19 7/8 x 24 1/4 in.; 50.4825 x 61.595 cm. Acquired 1927. (Right) Infrared of Pablo Picasso’s The Blue Room (1901). The Phillips Collection, copyright 2008.

(Left) Pablo Picasso, The Blue Room, 1901, Oil on canvas 19 7/8 x 24 1/4 in.; 50.4825 x 61.595 cm. Acquired 1927. (Right) Infrared of Pablo Picasso’s The Blue Room (1901). The Phillips Collection,  copyright 2008.

Perhaps you’ve heard our big news of the day: thanks to the skillful work and research of Patricia Favero and colleagues at fellow institutions, a portrait of a man has been identified under Picasso’s The Blue Room (1901) through the use of imaging technology. We’re really proud of Patti’s discovery!

This is not the first time one of our excellent conservators has made a newsworthy discovery. Just one example is chief conservator Elizabeth Steele’s and then-intern Gillian Cook’s finding of an entirely complete canvas beneath Gifford Beal’s painting, Parade of Elephants (1924) back in 1999. The uncovered work, On the Hudson at Newburg (1918), has gone on to become a most beloved part of our collection.

Two paintings by Gifford Beal that, at one time, shared a stretcher. (Left) On the Hudson at Newburgh, 1918, Oil on canvas 36 x 58 1/2 in.; 91.44 x 148.59 cm.. Estate of Gifford Beal, courtesy of Kraushaar Galleries. (Right) Parade of Elephants, 1924, Oil on canvas 36 1/8 x 58 5/8 in.; 91.7575 x 148.9075 cm.. Acquired 1924.

Two paintings by Gifford Beal that, at one time, shared a stretcher. (Left) On the Hudson at Newburgh, 1918, Oil on canvas 36 x 58 1/2 in.; 91.44 x 148.59 cm.. Estate of Gifford Beal, courtesy of Kraushaar Galleries. (Right) Parade of Elephants, 1924, Oil on canvas 36 1/8 x 58 5/8 in.; 91.7575 x 148.9075 cm.. Acquired 1924.

Staff Show 2013: Lydia O’Connor

In this series, Young Artists Exhibitions Program Coordinator Emily Bray profiles participants in the 2013 James McLaughlin Memorial Staff Show. Join us tonight for a reception, 5 to 8 pm!

Lydia O’Connor holds a Master of Philosophy in Film Theory from Trinity College Dublin.  While she considers herself a great appreciator of art and the artistic process, this is her first foray into the creative side of the art world.

Lydia O'Connor Image

Lydia O’Connor, Transitory, 2013, Photograph

What do you do at The Phillips Collection?  Are there any unique/interesting parts about your job that most people might not know about?
Finance Assistant.   I get to enjoy a birds-eye view of the entire museum’s operations from conservation to curatorial to education to facilities and maintenance through the daily financial aspects that cross my desk.

Who is/are your favorite artist/artists in the collection?
The Phillips Collection enjoys a star-studded list of artists including Van Gogh, Degas, RenoirPicassoCezanneKlee, Rothko and so many more… . It’s quite difficult to choose a favorite when you’re in the presence of such awe-inspiring masterworks.  I absolutely adore Wassily Kandinsky.  The Phillips Collection has several Kandinsky paintings and I am always excited when these are on display.

What is your favorite gallery/space within The Phillips Collection?
The Music Room for me is a very special place.  While much of our gallery space is typical white walls, the original home carries a spirit I think is thrilling to the museum experience.  The Music Room has a drama and a life that’s unique.  I really feel like I am in the home of Duncan and Marjorie Phillips and the many beautiful concerts and events we hold here at the Phillips seem to reverberate from floor to ceiling.

What would you like people to know about your artwork on view in the 2013 Staff Show (and/or your work in general)?
I took this photo one morning in early April.  I noticed as I walked up Q street from the Dupont Circle metro that the wonderful lavender petals from our tulip magnolia tree were shedding creating a blanket of color beneath the red brick of the original house; the play of the light sprinkling shadows across the building in the morning sunshine.  It was a moment of Phillips magic. A few hours later when I left the office for lunch, the tree was bare and many of the petals that had carpeted the ground had blown away.  I knew then I had been witness to a special and fleeting moment in the life of this tree.

The 2013 James McLaughlin Memorial Staff Show will be on view September 23, 2013 through October 20, 2013. The show features artwork from Phillips Collection staff.

 Emily Bray, Young Artists Exhibitions Program Coordinator