Sculptures, paintings, architecture, and members of the Phillips’s communications staff at The Kreeger Museum. Photos: Amy Wike
To take advantage of the dwindling sunny days and for a little inspiration, the Phillips communications and marketing department recently took a field trip to the nearby Kreeger Museum. It was a treat to see some of the stars from our own collection—Braque, Bonnard, Monet, and Picasso, to name a few—in a new light, and I could spend days in the Dan Steinhilber: Marlin Underground exhibition (on view through Dec. 29, 2012). The image at lower left in the collage above is just a corner of the gargantuan inflatable sculpture Steinhilber has created for visitors to run around in.
Located on Foxhall Road, the Kreeger is just down the street from the house Duncan and Marjorie Phillips built in 1929, affectionately named “Dunmarlin” after Duncan (father), Marjorie (mother), and Laughlin (son). The building no longer stands, but it housed the family after their residence at 21st and Q Streets was fully converted to a museum.
As a gallery educator at The Phillips Collection, I have the pleasure of facilitating tours and conversing with visitors about inspiring artworks in the collection. One of my favorite paintings to discuss isPainting No, 9 (1939-42) by Piet Mondrian. As a non-objective painting composed of primary colors and geometric shapes it is easy to walk past and think “Got it.” However, if you slow down and think about what Mondrian is doing in his art, the painting can take on an entirely new and exciting perspective. While visitors may not become Mondrian converts after our tour conversation, I frequently hear “You know, Mondrian may not be my favorite, but I have a much greater appreciation for what he set out to accomplish.”
Much like a visitor to the museum, I encourage you to slow down, click here and spend a few minutes learning to appreciate the simplicity and idealism of Mondrian.
While looking at the painting, ask yourself: What do I see? (Literally, what shapes, lines, colors?) Imagine removing or adding an additional line or square of color; how does the artwork change? Look at the relationship between the black lines and the blocks of color; does the black line appear to be consistently above or on top of the color blocks? How does the interplay between the black lines and blocks of color suggest depth? Continue reading “Take a Longer Look at Painting No. 9” »
For a quick art and fashion recap of the 2011 Mercedes-Benz Fashion Week, look no further than ARTINFO‘s roundup of art-inspired designs. Jason Wu continues his love affair with art in works inspired by graffiti artist KAWS; the Mulleavy sisters reminisce on their childhood discovery of Van Gogh; and, my personal favorite, Richard Serra-inspired works for Helmut Lang.