I’ve never had a great deal of patience. I like structure and thrive on organization. In my opinion one of the greatest gifts my fiancé has given me (besides the engagement ring and the promise to live happily ever after, of course) was a label maker. So, when I was asked to be one of the organizers of a program that aimed to create a profound experience of art through “slow looking,” I got a little nervous.The second annual Art & Innovation Design Gathering held on Monday, March 14, at the museum, was a collaboration between the University of Virginia and The Phillips Collection. We encouraged the scientists, artists, educators, and students who participated in the conference to think about how we perceive our visual world. How do our experiences affect the way we see the world? Have our preconceptions – whether you’re aware of them or not, constructed from experience – replaced our ability to visually interpret? The balance of disciplines represented at the conference helped to bring these ideas together in a relatable way. Continue reading ““The Art of Looking” and slowing down to get ahead” »
During the fall of 1967 The Phillips Collection gave Sam Gilliam his first solo museum exhibition. Nearly 45 years later, Gilliam has created his first site-specific installation for the Phillips, to coincide with its 90th anniversary.