The Phillips’s elliptical stairway is freshly installed with sculpture and drawing for Myth and Archaeology in the Work of Giorgio De Chirico, on view through June 15 and in celebration of the 2013 Year of Italian Culture in the United States. These early works demonstrate how the artist used figures from mythology, archaeological artifacts, and historical events to create images that suggest an alternate, mysterious reality.
Sunny skies and relatively warm temperatures Friday helped make for a smooth de-installation of Xavier Veilhan’s The Bear sculpture from the plinth at 21st and Q. The Bear will now begin a long journey back to it’s permanent home in the Northwest. During his time here, the Bear cheerfully welcomed visitors to the Phillips – we are a little sad to say goodbye.
Earlier this month, Xavier Veilhan installed Jean-Marc, his first permanent public sculpture in the U.S., a stone’s throw away from MoMA on the corner of 53rd Street and Sixth Ave. in New York City. Photos of the installation are up on the artist’s website. On a trip to attend the opening of Wolfgang Laib’s Pollen from Hazelnut at MoMA, Phillips Director Dorothy Kosinski passed the giant blue sculpture and immediately noted “there seems to be a nice artistic symmetry between 53rd Street NYC and Q & 21st in D.C.” The sharp edges and larger-than-life quality of the sculpture do indeed bear a striking resemblance to Veilhan’s The Bear outside the Phillips.