Tuesday Tunes: A Playlist for Mark Tobey

Taking inspiration from the major theme of music in Ten Americans: After Paul Klee, we paired 11 staff members with 11 works from the exhibition and asked them to respond to create a playlist in response to their individual artwork. Caitlin Meredith, Phillips Music Coordinator  created this playlist in response to Mark Tobey’s “Night Flight.”

Mark Tobey, Night Flight, 1956, Tempera on cardboard, 11 7/8 x 9 in., Fondation Beyeler, Riehen/Basel, Beyeler Collection © Artists Rights Society (ARS), New York

As I studied Night Flight by Mark Tobey, I saw many repetitive strokes and lines, that once repeated, began to morph into different shapes. This visual aspect is akin to the fugue, a compositional technique in which a melodic line is introduced and repeated by different voices, at which point the interwoven voices begin to develop into something new. For my playlist, I have chosen four pieces that have prominent examples of fugue-like material: two pieces by the king of the fugue, J.S. Bach, and two by more contemporary artists Sylvan Esso and Bon Iver. I hope as you listen you may be able to hear and visualize the repetitive fugue-like sonorities.

Caitlin Meredith, Phillips Music Coordinator 

Feeling inspired? Create your own playlist based around works in the exhibition and send it to us at communications@phillipscollection.org and we may feature it on our blog and social media.

A Playlist for Gottlieb: Part II

Adolph Gottlieb, Labyrinth #1, 1950, Oil and sand on canvas, 36 x 48 in., Collection of the Adolph and Esther Gottlieb Foundation, New York © Adolph and Esther Gottlieb Foundation/Licensed by VAGA, New York, NY

Inspired by this playlist for Adolph Gottlieb’s Labyrinth #1 (1950), Executive Director of the Adolph and Esther Gottlieb Foundation Sanford Hirsch wrote in with his own musical interpretation. Of his selection, Hirsch says “Gottlieb didn’t have any music in his studio, but he did have a good collection of records at home. Using those as a starting point, here are a few selections from around the same time as Labyrinth was painted and from musicians Gottlieb listened to. And since Gottlieb was dedicated to abstraction, titles don’t add or detract from meaning.”

If you’re feeling similarly inspired, you can create your own playlist based around works in the exhibition and send it to us at communications@phillipscollection.org; we may feature it on our blog and social media.