Phillips at Home: Jump In!

Hello from Donna Jonte, your Phillips at Home host. Thanks for spending time with me and works of art from The Phillips Collection, slowing down to look, think, wonder, and respond creatively.

Today we will explore Georgia O’Keeffe’s landscape Red Hills, Lake George. Then we will create a collage.  

Materials Needed: Cardstock or cardboard for a background, scrap paper, construction paper, foil, found objects for collage, scissors, glue

Time: 30-45 minutes

Ages: 4 +

Georgia O’Keeffe, Red Hills, Lake George, 1927, Oil on canvas, 27 in x 32 in., The Phillips Collection, Acquired 1945

You can use the See-Think-Wonder routine to investigate anything and everything! First, get comfortable, taking a deep breath and exhaling slowly. We will look silently at all parts of the object for 30 seconds, then share a few observations with each other. Next, we will think about what we observed, and share these thoughts. Third, we will ask questions. What are we curious about?

Let’s begin. Don’t forget to breathe in deeply and exhale slowly before you start!

 

(STEP 1) Look closely at Red Hills, Lake George for 30 seconds, and then share your thoughts with your companions.

Here are some questions to consider:

• Does this landscape remind you of a special place you have visited with your family?

• What part of the landscape has O’Keeffe emphasized?

• What is happening in the sky?

• What might the weather be like?

• Why might the hills be red?

• How does this landscape make you feel? Do you want to be in this place?

• Now, let’s ask more questions. What do you wonder about this place, the artist, and her process?

 

(STEP 2) JUMP IN!

Are you ready to JUMP IN? Make sure your imagination is ready to go!

Take a look to see where you hope to land. On the hills? In the foreground? In the sky? Close your eyes!

1…

2…

3…

JUMP! WHOOSH! PLUNK!

• Open your eyes. What is this place like? What do you smell? Touch? Hear? See? Taste?

• Where are you? Share with your family your location and sensory discoveries.

• Are you floating in the sky on gentle, cool clouds? Swirling in the blazing rings of the setting sun?

• Are you sliding down smooth fields of red on the hidden side of the hill? What do you see on the other side of the hills?

• Where did your family members land? Did you choose different places to explore?

 

(STEP 3) Would you like to learn more about Georgia O’Keeffe and Red Hills, Lake George?

Alfred Stieglitz, Georgia O’Keeffe, 1918, Gelatin silver print, 4 1/2 x 3 1/2 in., Art Institute of Chicago, Alfred Stieglitz Collection

In her paintings, Georgia O’Keeffe (American, 1887-1986) seems to invite us into a place of calm, asking us to marvel at the natural world. You might have seen her very large paintings of flowers. She said, “When you take a flower in your hand and really look at it, it’s your world for the moment. I want to give that world to someone else.” 

Although the colors might remind us of the New Mexico desert that O’Keeffe lived in and loved, she titled the painting Red Hills, Lake George. Lake George is in the Adirondack mountains of New York, four hours north of New York City. Georgia O’Keeffe and her husband, photographer Alfred Stieglitz, often visited Lake George, where they enjoyed the sunsets in the fall, when the mountain across the lake became a “dark, burning red.” She said: “I found I could say things with color and shapes that I couldn’t say any other way—things I had no words for.”

She described her process: “It is only by selection, by elimination, by emphasis that we get at the real meaning of things.” What do you think she meant by this? You might want to compare a photograph of Lake George to this painting. What did O’Keeffe select, eliminate, and emphasize?

 

(STEP 4) Let’s create a collage.

Now that your imagination is in full swing, are you ready to make a collage inspired by Red Hills, Lake George? A collage is a work of art made by sticking various materials such as photographs, pieces of paper, or fabric to a background.

You can tear or cut paper. You can use tissue paper, scrap paper, or junk mail. You could experiment with aluminum foil or fabric. What do you have in your home that might be interesting in a landscape?

If you wish, you can add a person, perhaps a self-portrait, to the collage. Where will that figure be in the composition?

Start with a background (about copy paper size, at least as big as your hand). It can be any color and should be heavy enough to hold the pieces you are about to glue on it.

Tear large shapes from paper that is a different color than the background. Arrange (you can overlap!) these shapes (they don’t have to look like mountains—they can be just shapes!) and glue them onto the background.

If you want to add a figure, cut or tear a simple shape that represents a person. When you are making the figure, don’t worry about details or facial features. You can eliminate details! Maybe you are flying in the sky and we can’t see your face from where we are standing across the lake. See the examples below.

Sample collage based on Georgia O’Keeffe’s Red Hills, Lake George

Sample collage based on Georgia O’Keeffe’s Red Hills, Lake George

Give your artwork a title. Sign and date it. Add it to your family gallery. Send us a photo of your artwork: djonte@phillipscollection.org

 

Visit the website of the Georgia O’Keeffe Museum in Santa Fe, New Mexico, for images of O’Keeffe’s work and information about her life. And, best of all, there are suggestions for making art!

Visit Harvard’s Project Zero Thinking Routines for more See-Think-Wonder guided instructions.

Phillips at Home: Exploring a Tabletop

Welcome to Phillips at Home!

I’m your host, Donna Jonte, Manager of Art and Wellness and Family Programs. I invite you and your family to spend time with works of art from The Phillips Collection, slowing down to look, think, wonder, and respond creatively.

Materials needed: A few pieces of paper (copy-paper size or larger), any drawing materials (pencil, crayon, marker, paint)

Time needed: 30-45 minutes

Designed for families with children ages 4-14

We are all in our homes and getting to know our surroundings really well. What do we learn when we compare the items on our tables with The Round Table by Georges Braque?

Let’s begin!

Georges Braque, The Round Table, 1929, Oil, sand, and charcoal on canvas, 57 3/8 x 44 3/4 in., The Phillips Collection, Acquired 1934

(STEP 1) With your family, find a comfortable place to sit together to look at Georges Braque’s The Round Table.

• Look at the image of The Round Table for 7 seconds.

• Now, turn away from your computer to talk with your family. What is one detail that caught your attention? Have a brief conversation about what you think the painting is about.

• Next, take a deep breath. Exhale slowly. Are you ready to look at the image again, slowly and silently for 30 more seconds? What will you notice this time?

• Can see details clearly? The table legs, the objects on the table, the shapes on the walls, the little details at the edge of the canvas. Notice colors, lines, and shapes. This might take you an entire minute. Look slowly and carefully.

• Can you see the entire painting on your screen? Look at the composition, or how the artist has arranged the items. Notice how much space is occupied by each object. Notice where your eye goes first and how the artist guides your eye through the painting. This might take another minute or so. Thank you for looking closely. Now it’s time to talk.

• Share observations with your family. You might want to make a collective list, writing down all the details you and your family noticed. Did someone in your family notice something that you did not? We all notice different things.

• What are some of your thoughts about this painting?

• What do you think about these objects? Are they familiar to you and your family? Which ones are unfamiliar or mysterious? Which object interests you the most?

• How might these objects be connected?

• What might these objects tell us about the person who uses them?

• What do you think about the marks and shapes on the wall behind the table? How might these marks connect (visually and thematically) to the objects on the table?

• Look at the way the tabletop tips up. Why might the artist have painted it this way?

• What do you wonder about the painting? What do you wonder about the artist and his process? Ask questions! Share your questions with your family. Like artists, we are curious. Ask another question!

 

(STEP 2) Thank you for looking closely, thinking about what you noticed, and being curious. Before we make art, let’s learn about artist Georges Braque.

The Round Table by Georges Braque on view at The Phillips Collection in 2013

• Georges Braque (French, 1882-1962) painted The Round Table in 1929. It’s a very large painting, almost 5 feet high and 4 feet wide. Maybe it is taller than you are!

• Braque loved music as much as he loved art. He was classically trained as a musician and played the violin, flute, and accordion. He was good friends with composer Erik Satie. Do you see a piece of sheet music on the table with fancy letters that might spell “SATIE”? Do you see a musical instrument? Do you like music too?

Detail of The Round Table

• Braque experimented with art methods just as Satie experimented with musical conventions. Braque added sand to his oil paint to give texture to the surface. In some places he left the canvas unpainted.

• Braque said, “You put a blob of yellow here, and another at the further edge of the canvas: straight away a rapport is established between them. Color acts in the way that music does.” Does this statement help you see his painting in a new way?

• Braque was also good friends with Pablo Picasso; together they invented a kind of art called Cubism. They liked to paint objects from many points of view at the same time! Cubist artists like to show an object from the side, the top, the front, the back—all at once. You can see that in The Round Table in the way the table top is tipped up, showing many views of the objects.

 

(STEP 3) Let’s get ready to sketch items on our tables. Remember, a sketch is like a rough draft in writing—it’s a no-pressure sort of drawing.

• Find paper and a writing tool—pencil, pen, marker, color pencil, crayon. Your choice!

• Before you make your first mark, ask yourself: Are you going to create a sketch of a table top in your home that you can see at this very moment? Will you sketch from observation?

• Or will you sketch from your imagination, drawing objects that are important to you but might not be on your table at this moment? What would the objects be? A musical instrument? Your favorite snack? A board game? Your cat? You choose!

• While you draw, you might want to listen to Erik Satie’s compositions.

• When you finish your sketch, give it a title.

• Discuss with your family the objects you drew, the title you chose, and the ways that Braque’s painting inspired you.

• Notice how different your sketches are, even if you drew the same objects on the same table.

 

(STEP 4) Now let’s look at the work of another artist who spent time at The Phillips Collection looking closely at paintings by Georges Braque and other artists: David Driskell (American, 1931-2020).

• David Driskell’s 1966 painting of a round table might remind us of Braque’s round table. Mr. Driskell was well respected for his scholarship on African American art, his teaching, his mentorship, his promotion of younger artists, and his paintings, prints, collages, and gardens. Sadly, Mr. Driskell recently passed away. We find joy in his legacy and the important works of art he left behind.

David Driskell, Still Life with Sunset, 1966, Oil on canvas, 48 x 32 in., Collection of Joseph and Lynne Horning, on view in Riffs and Relations: African American Artists and the European Modernist Tradition.

• Talk to your family about how Still Life with Sunset is similar to Braque’s The Round Table. How is it different? Remember that it is important to take your time to look closely. What do you see? What do you think? What do you wonder?

• We call art works such as The Round Table and Still Life with Sunset “still life” paintings, probably because the subject of the painting doesn’t move. Often still life paintings (or sketches or drawings) show everyday objects in our homes like fruit, books, pottery, or musical instruments.

• Driskell said about his painting: “Looking back to the 1960s, I used still life subjects as an avenue to seeing a union of household objects as beautiful forms blending in with the natural world. Here, the studio extended into the exterior space of the natural world, where the sunset gave flavor to a unified composition.” Listen to him talk about this work.

 

(STEP 5) Let’s make art. Inspired by Driskell’s painting, create another sketch.

• If you can, use a different art tool this time. If you used crayon before, try pencil. If you used paint, use an ink pen. Artists love to experiment.

• What colors will you use? What might you put in the background? Will you add a window, connecting inside and outside, as Driskell has?

• Give your sketch a title. Put your first and second sketches side by side. Share your thoughts with your family.

• Do you think spending time with objects in your home, as we are doing now, makes them more precious to you? Are you thinking about how you are connected to the objects inside the home and to the world outside the window?

 

Thank you for spending time with me. I’d love to see your creations. You may email photos of your art work to me at djonte@phillipscollection.org. Observe! Imagine! Make art!

Here is some more inspiration:

(left) Still life drawing from Georges Braque sketchbook, Archives Laurens (right) Georges Braque, Still Life, 1924, Charcoal and graphite on paper, Tate

Paper Flowers: Dinner Table, by Elana, age 11, Chevy Chase, MD

Kitchen Table, by Joyce, Arcata, CA, with photo of Joyce’s kitchen table

The guided looking sequence was adapted from Harvard’s Project Zero’s Thinking Routine “See-Think-Wonder.” Learn more about Visible Thinking Routines on the Project Zero website

Phillips-at-home: Making Musical Maracas

Get craft with your recyclables! You can use water bottles and toilet-paper rolls to make musical maracas at home with your family. This project is fun, engaging, and accessible for all ages.

Young visitors showing off their wonderful creations! Photo credit: Joshua Navarro

WHAT YOU NEED:

  • Toilet paper rolls or water bottles (you can use both, or one or the other)
  • Beads or any dried food in your kitchen pantry, such as beans, pasta, or rice.
  • Decorative materials (colorful duct tape, tissue paper, scrapbook paper, pipe-cleaners, etc.)

SUGGESTED AGE:

  • 4 and up (possible for younger ages with adult supervision)

TIME FRAME: 

  • 30 minutes-1 hour

HOW TO BUILD A MARACA:

There are two easy ways to construct your musical maraca.

Option 1

Step 1: Clean, rinse and dry plastic water bottle. Any size bottle will work!

Step 2: Select beads or dried food for the inside (beads/food may be visible so think about the colors you want to choose)

Step 3: Pour beads/dried food into the water bottle

  • Tip: Use a piece of paper as a funnel to make this process easier and cleaner
  • Tip: Fill up halfway to allow room for beads to shake

Step 4: Close water bottle cap

Step 5: Decorate the outside of your maraca!

To further extend your project, create two maracas and attach a toilet paper roll in between to form a handle. Duct tape is recommended.

(Option 1 examples) Two decorative water bottle maracas. Photo: Hayley Prihoda

Option 1 examples

A large maraca with a toilet paper handle. Photo: Hayley Prihoda

Option 1 extended example

 

 

 

 

 

 

 

(Option 2 examples) A triangular maraca made out of a toilet paper roll (on left) and a rain stick made out of a paper towel roll (on right). Photo: Hayley Prihoda

Option 2 examples: A triangular maraca made out of a toilet paper roll (on left) and a rain stick made out of a paper towel roll (on right). All photos: Hayley Prihoda

Option 2

Step 1: Select a toilet paper roll or paper towel roll

  • Tip: A toilet paper roll will create a hand-held maraca; a paper towel roll will create a rain stick

Step 2: Pinch one end together and seal by stapling

Step 3:  Pour beads/dried food into the tube

Step 4: Close other end with staples

  • Tip: You can either pinch the edges together in the same direction as the other end or in the opposite direction to create a triangle shape (see photograph below)

Step 5: Decorate the outside of your maraca!

Re-purposing materials is a great way to save money, think creatively and reduce waste!