The Phillips Plays: Celebrating Nature, Treasuring Trees

The Phillips Collection Fellow Arianna Adade shares her experience at a drop-in family workshop.

Phillips Educator Monica Cohen and her child

On Sunday, February 11, families had the wonderful opportunity to participate in The Phillips Plays: Celebrating Nature, Treasuring Trees drop-in family program. Families had the chance to explore the meaning of trees and the ways that nature shapes life and art. The program allowed space for children to creatively connect to the natural habitat around them, combining their whimsical artistry with their perception of nature.

Child creating a dinosaur habitat

 

Children creating playgrounds surrounded by forestry

There was a printmaking station, which allowed families to explore the ways fruits and vegetables can be used to create artwork. From magical playgrounds and mossy gardens to dinosaur homes, families created mixed-media installations that deepened their appreciation for the environment. The youngest visitors were able to enjoy blocks and books on the carpeted area right outside of the workshop.

Printmaking station

Participants creating dinosaur habitat

Participant garden creation

Several families also enjoyed an intimate tour of the Jennifer Bartlett: In and Out of the Garden exhibition (on view until April 30). Specifically looking at Bartlett’s five-panel series Wind, Phillips Educator Tiffane White engaged the families with thought-provoking questions relating to the varying angles of Bartlett’s garden: What do you see? How does the water in the pool change in each angle? What do you notice about the colors of the trees? The groups were also asked to imagine which rooms they would hang these artworks in in their own houses, allowing them to consider how nature and art function in home environments. Through exploration of the contemporary artist’s views of French gardens, children were able to create stories that explored the ways art and nature are relevant to their own lives.

Family-friendly tour of Jennifer Bartlett: In and Out of the Garden

Don’t miss the next family workshop on March 9 (The Phillips Plays: Beautiful Bouquets) which is inspired by the exhibition Bonnard’s Worlds (opening March 2).

High Five for Phillips Collection Professional Development

A Prince George’s County, MD, art teacher shares her experience at Phillips professional development events for PK-12 educators.

If you are a PK-12 educator, consider looking into workshops and activities offered by The Phillips Collection, if you haven’t already done so, and sign up!

In early fall, I went to a Back-to-School Educator’s Night at the Phillips. It was a fun evening, and my favorite activity was a poetry slam led by Gayle Danley. Participants sat in one of the galleries. The artist read some of her amazing slam poems, and one of her former students stood up and presented an equally amazing poem. Then participants selected one of the artworks from the gallery, created a slam poem based on it, and then read them aloud. I have always enjoyed the professional development opportunities offered at the Phillips and this annual evening event just confirmed this!

Poetry slam led by Gayle Danley in the galleries. Photo: AK Blythe

About a week after participating in the educator’s night event, I received about an online professional development (PD) via Zoom. The sessions involved Social-Emotional Learning (SEL) and Mindfulness activities connected to the exhibition African Modernism in America, 1947-67. The goal was to help teachers rejuvenate and energize their teaching practice to prevent or resolve “teacher burn-out,” but also importantly included art-connected mindfulness/SEL strategies to use with students in the classroom. One of my goals this year is to fine tune relevant connections to SEL for students during my art classes, so I immediately signed up.

Art Cards and materials I received before the PD session.

I started this PD feeling quite appreciated. The 4-session/15-hour free PD over 5 weeks was offered whether taking it for PD credits or auditing. I audited. In advance of the PD, we were sent free art materials to use during the sessions. On day one of the course I also learned that I would be receiving a $50 Amazon card to use for my classroom upon completion of the sessions.

How would I describe this course? Each session in this PD involved teacher mindfulness and SEL connected activities to use for both self and in the classroom. One example: we were given engaging prompts and used art supplies to journal (whether via words, drawing, or collage) in books that were provided to us. The prompts were in response to an artwork that was part of the African Modernism exhibition. Even a yoga/art session made interesting connections to yet another artwork from the exhibition. Another particularly useful item for the classroom was a box of special Art Cards (which include 52 images from the collection) also provided to us. These cards included conversation starter prompts as well as activity prompts that made for engaging conversations during the workshop and certainly would do the same for classroom lessons.

Example of mindfulness activity related to African Modernism in America, 1947-67

Page from book journal

I often feel exhausted when I get home from work and the PD sessions are often after work. The first time I signed up, I thought twice about enrolling. But I was glad I did, and this current series only strengthened my desire to enroll in more programs. Event after a long day at work, I felt energized at 7:30 pm after each of the PD sessions ended. The Phillips Collection has new workshop offerings nearly every month for educators so check out their website or contact the Phillips Collection Education Department!

Staff Show 2024: Karlisima

Meet some of the talented artists on The Phillips Collection’s staff, whose works are in the 2023 James McLaughlin Memorial Staff Show (on view through February 16, 2024).

Karlisima with her work in the Staff Show

What is your role at The Phillips Collection? What is interesting about your job?

I have been a Museum Assistant for two years now. I love interacting with the public and guiding the visitors to make their visit pleasant and enjoyable. I love talking about art and the paintings in the collection. I speak five languages: Spanish, English, French, Italian and German. Spanish is my native language, and I am currently learning Hebrew, because it is my husband’s native language. As I speak all these languages, I get to speak some of them with the visitors and I enjoy pointing them in the right direction or suggesting the best way to start their tour. I hear different anecdotes about their travels and I learn something new each day. The Phillips Collection is a fascinating place and it has come full-circle for me, since I first visited it when I was in high school with my art class, and I saw Luncheon of the Boating Party for the first time, and I fell in love with this museum.

Who are your favorite artists in the Collection?

My favorite artists are Renoir, Monet, Cezanne, and Van Gogh. My favorite painting is Renoir’s Luncheon of the Boating Party for the reason that I just described, by me seeing it when I was in high school. I also love Nature and trees. This is why I also love the paintings by Van Gogh, The Road Menders and Entrance to the Public Gardens in Arles. In both paintings the trees are magnificent and so full of life. The other painting that I absolutely adore is the painting by Monet, The Road To Vetheuil. The colors are so wonderful and the shadows and the light are so amazing. I feel that I am really standing in the middle of that road and I feel the sunshine on my face and I am mesmerized by the beauty of nature. I spent a summer in France in 1989 and I remember walking in roads like this one and enjoying the beauty of Nature in the country side of France. I feel very privileged that I visited Europe at age 19 and that this trip opened my mind and let me see new horizons.

Tree Painting by Karlisima

Copying a Mary Cassatt painting in the National Gallery of Art

What would you like people to know about your artwork on view in the 2024 Staff Show (or your work in general)?

On view in the Staff Show: The Tree of Life–I am One with Mother Nature–Mother Earth

This painting represents me and my Mayan Roots, and it also represents a young woman from El Salvador named Melissa I met in Long Island, New York. The tree is growing inside of her and she is the Tree of Life. The bright green color represents the lushness of Nature, green grass, fertility, prosperity, and growth. Her eyes are closed in a state of peace, beauty, and rest. This is the state in which I find myself when I am in the forest, walking among the beautiful trees and seeing the water in the creek.

This painting was inspired by Mother Nature. I take a lot of walks in Rock Creek Park and during these walks I commune with Nature. I call her Mother Nature and Mother Earth because She is nurturing and she is a mother to us all. In this painting I want to give a message of hope and protection for the environment. I want people to protect and take care of Mother Nature. I wish people to know that as we take care of the environment and the Planet, we are taking care of ourselves and our life. My message is that we are one with Mother Nature-Mother Earth, and we are one with the Land. If we realize our oneness with Mother Earth, we will cherish her and protect her. Whatever we do to harm her, we are doing to ourselves. We are literally self-destructing. We still have the opportunity to reverse the damage we have done to the Planet so far, but we must take an active role now and engage in more proactive activities, such as recycling, planting trees, and stopping plastic bottles from going into the oceans. It is a job for everyone to undertake. We must all do our part to save our beautiful planet and to keep seeing beautiful rivers, lakes, oceans, forests, flowers, meadows, trees, and animals. Our planet is gorgeous and I hope that my painting and my art in general will inspire people to take care and protect Mother Nature.

My love for Nature came from my childhood in El Salvador, as I spent my summers in a rural area full of rivers and luscious landscapes called “Sonsonate.” I have so many memories of the rivers, the beach and the volcanoes in El Salvador. They are truly beautiful and amazing.

Karlisima in El Salvador

Self-portrait in Red and Blue

Hope, from Three Heads series

About the artist:

Karlisima (b. 1970) (Karla Cecilia Rodas Cortez Israel), the daughter of Mayamerica Cortez and Eduardo Rodas, was born in San Salvador, El Salvador. At age 5, she visited the house of Master Jose Mejia Vides, and took formal art classes at age 7 with Master Armando Solis.

She came to Virginia in 1984 at age 14. In 1989, she studied French and art in France and was influenced by French Impressionism and the stained-glass windows of Notre Dame. She was also influenced by the mosaics and stained-glass windows of Chartres Cathedral in France and the churches and mosaics in St. Louis, and the churches in El Salvador. In 1992, she received a BFA in painting from Washington University in St. Louis.  She has been deeply inspired by Van Gogh, Cezanne, and Frida Kahlo.

Karlisima is a winner of many awards and she has exhibited her work locally, nationally and internationally. In 2005 and 2006 she took her paintings to London, England, and Berlin, Germany, for solo exhibitions.

Her bright and bold colors are typical of El Salvador and her Latin American and Mayan roots. She loves the Mayans and her cultural heritage. Her bold and thick brushstrokes are inspired by French Impressionism. Her paintings are reminiscent of stained-glass windows and mosaics. Her art depicts symbols of Mother Nature: Trees, flowers, landscapes, and the sun. She paints figures in a state of contemplation and meditation. Her themes are: Prayer, Meditation, Spirituality, the Worship of the Sacred, the notion that the Land is Sacred and that we are One with the Land. Her figures embody her deep spirituality and the idea that we are all one, and one with Mother Nature.

To see more of her art, visit www.Karlisima.com and Instagram @Karlisima07. And to share your comments, email karlisima07@gmail.com

Karlisima praying in her studio before painting

Walter Pierce Park, Adams Morgan, Washington, DC