Perhaps you’ve heard our big news of the day: thanks to the skillful work and research of Patricia Favero and colleagues at fellow institutions, a portrait of a man has been identified under Picasso’s The Blue Room (1901) through the use of imaging technology. We’re really proud of Patti’s discovery!
The x-radiograph of The Strongman attests to Daumier’s frequent custom of reworking a composition. A completely different figure wearing a striped jacket and a bicorne (two-cornered hat) lies beneath the man on the far right. In an earlier state, the curtain in the center of the painting was draped lower across the doorway. The bright white in the left half of the x-radiograph indicates the density of the paint in this area and reflects the number of times these passages were reworked.
Jackson Pollock began making collages in 1943 at the invitation of Peggy Guggenheim, who organized an international Exhibition of Collage at her gallery Art of This Century. The Phillips’s Collage and Oil, executed in 1951, is probably one of Pollock’s last collages.