Our Zany Visionary

Suzanne Wright with her award and in a group with other NAEA award winners.

Suzanne Wright with her award and in a group with other award winners. Photos: Rachel Goldberg

I’m currently in Fort Worth, Texas at the National Art Education Association (NAEA) annual conference and today I had the honor of presenting my boss–Suzanne Wright, Director of Education–with the NAEA 2013 Eastern Region Museum Educator of the Year award. This was a well deserved and hard-earned award for Suzanne, who has dedicated her entire (over 20 year) museum career to the Phillips! Under Suzanne’s leadership, our education department has produced award winning and nationally recognized programs and resources such as the Jacob Lawrence and The Migration Series teaching kit, and the emerging Prism of Arts Integration teaching framework. Suzanne has also played a key role in reinvigorating and re-establishing the local DC chapter of NAEA–AEDC. A few words that her colleagues and I used to describe her at the award ceremony today are thoughtful/reflective, passionate, visionary, zany, savvy, human, advocate, persistent, insightful, driven, determined, a bold leader with plentiful laughter, and a true leader. We all also really appreciate the seemingly never ending supply of Girl Scout cookies.

Rachel Goldberg, Manager of School, Outreach, and Family Programs

Director’s Desk: Meeting Aimé Mpane at (e)merge

Aimé Mpane, Mapasa (Twins), 2012. Photo: courtesy (e)merge art fair

Aimé Mpane, Mapasa (Twins), 2012. Photo: courtesy (e)merge art fair

(e)merge is such a great addition to the arts ecology of D.C. It generates excitement, knowledge, contacts, and, I dare say, a significant economic impact, as well. The Phillips is so proud to receive Gallerist‘s Herb and Dorothy Vogel Award and thrilled to add a work by the Belgian-Congolese artist Aimé Mpane to our collection. Phillips curators Vesela Sretenovic and Klaus Ottmann and I vetted many works at the fair. It was a hard decision, but we all fell in love with the diptych called Twins by Mpane. (I actually love his more straightforward portraits, too, and really hope we can find a way to add one of them to the collection on top of the diptych.)

One of Aimé Mpane's portraits on view in Nomad Gallery at (e)merge. Photo: Dorothy Kosinski

One of Aimé Mpane’s portraits also on view in Nomad Gallery at (e)merge. Photo: Dorothy Kosinski

It was very special to meet the artist and discuss his ideas and process at length. He showed us photos of himself working in Kinshasa in an open air studio surrounded by the kids whose spirit and energy he captures in his works. His process is especially fascinating. . . he uses a small pick or awl to gouge into the different colored layers of an ordinary piece of plywood. He captures with remarkable elegance the movement and character of each face through (or despite?) the primitive edges of the splintered wood. He is a skilled and highly trained artist who responds to the humble circumstances and traditional methods of the Congo. His work reflects a personal and historical voyage between continents and cultures. I can imagine this work in dialogue with Jacob Lawrence’s The Migration Series. At the same time, the highly patterned headdress and scarf that Mpane depicts makes me think of the dense patterning that Vuillard so favored. Needless to say, we’re excited to hang this new acquisition at the Phillips.

And we are grateful to Gallerist and (e)merge art fair for making this exciting and important new acquisition possible.

Dorothy Kosinski, Director