Staff Show 2018: Racquel Keller

In this series, Manager of Visitor and Family Engagement Emily Bray highlights participants in This Is My Day Job: The 2018 James McLaughlin Memorial Staff Show, on view through September 30, 2018.

Artwork by Racquel Keller

I saw a dead bird flying through a broken sky by Racquel Keller

Tell us about yourself.

Bio – Racquel Keller creates painting, drawing, print, photography, sculpture and assemblage art. She constructs imagery inspired by the natural world and her collection of vintage objects, with an eye toward capturing the feeling of nostalgia they evoke. Racquel was born in Northern Virginia and has resided in Maryland since 2003. She earned her BS in Graphic Design, with a concentration in Fine Arts, from The American University and also holds a Certificate of Leadership Coaching from Georgetown University. Presently, she works as an Art Instructor and Artist. She is currently an instructor at the Greenbelt Community Center, the College Park Arts Exchange and for select art workshops at The Phillips Collection in Washington, DC. Her classes have included, among others, Plein Air Painting, Still Life Painting and Watercolor. She regularly offers workshops on a variety of mediums and subjects. She has been actively exhibiting her work in the DC Metropolitan area for decades and is a current Artist in Residence at The Greenbelt Community Center (Maryland, USA) and will be a visiting Artist in Residence at Chateau d’Orquevaux (Orquevaux, France) Fall of 2018.

Artist Statement – The aim of my work is to create an emotional resonance for the viewer through the exploration of nostalgia and what it means to us as humans. Through my painting, I work to explore the relationship between people, objects and the power of memories to transport us to a different time and place. Ultimately, it is an exploration of why people save certain things and perhaps more significantly, an exploration of why I save things. ​My work is grounded in my vast collection of natural and vintage household objects gathered over more than four decades. These objects are at once familiar and mysterious, containing stories we may never know. I paint in vibrant tones and often with a strong raking light. With carefully crafted composition and light, my paintings honor still life painting while simultaneously honoring abstract painting via an active abstracted background. While my still lifes are unmistakably modern, I paint everyday objects of daily life from a bygone era, striving to give them a deeper significance by creating a portrait which forces the viewer to see an object which they might otherwise overlook. The strength of my palette, light, and brushstroke are vital to a fuller understanding of my work.

What do you do at The Phillips Collection? Are there any unique or interesting parts about your job that most people might not know about?

I am one of the Museum Shop Supervisors. I think one of the interesting things people may not know about the museum shop is that it is a sensitively curated visitor experience which is designed to further connect the individual with the exhibition on display. Everything which Pete Bernal, our Museum Shop Manager, selects for the shop is carefully considered months in advance and then thoughtfully displayed in themed vignettes which make it more accessible to the visitor.

Who is your favorite artist in the collection?

I love Chaim Soutine for the vitality of his brush strokes and I love Sally Mann for the quiet dark mystery of her photographs. Both evoke emotion in totally different styles and mediums.

What is your favorite space within The Phillips Collection?

The music room. I love the early 1900s architectural details especially when juxtaposed with modern art like Alex Katz. The contrast is striking!

What would you like people to know about your artwork on view in the 2018 Staff Show (or your work in general)?

The aim of my work is to create an emotional resonance for the viewer through the exploration of nostalgia and what it means to us as humans. Through my painting, I work to explore the relationship between people, objects and the power of memories to transport us to a different time and place. The work reflects on memory, mortality and the cycle of life.

This Is My Day Job: The James McLaughlin Memorial Staff Show is on view through September 30, 2018. Join us for a reception in the exhibition on September 20, 5-7 pm.

#Phillips95 Soutine Caption Contest Winners

soutine_woman in profile

Chaim Soutine, Woman in Profile, ca. 1937. Oil on canvas ,18 13/8 x 10 7/8 in. The Phillips Collection, Washington, DC, Acquired 1943 © 2015 Artists Rights Society (ARS), New York, NY

For this month’s #Phillips95 challenge, we asked you to caption Chaim Soutine’s Woman in Profile. Congrats to these three winners!

“I wonder if I should listen to this entire performance or go to the bathroom now.” —Gail F.

“1:15 pm – Message Read
6:20 pm – Chaim Soutine is online
3:00 am – Soutine is typing…
3:01 am – …hey you, what are you up to?
3:02 am – ‘woman in profile’ face”
—Luis Q.

“She’s thinking, ‘How did I get to look so much like Judy Garland?'” —Travel Gal

And bragging rights to these Honorable Mentions:

“I so hope Chaim doesn’t give me fish lips.” —Kristin J.

“Chaim…I’m really tired of sitting here for you every day, it better be better than a Rembrandt!” —Margot K.

“I’m snowed in and there’s no chocolate in the house.” —Sharon M.

Kurtis Minder (February 16 at 2:39pm): She is irritated that she just bought an apple watch and a newer, improved model is already out.” —Kurtis M.

Interestingly, a number of people were reminded of celebrities or friends when they saw Soutine’s female sitter, including Coco Chanel, Liza Minnelli, and Judy Garland. Does this woman remind you of anyone?

Thanks to everyone who participated in February’s challenge! Check back each month in 2016 for new challenges in celebration of the Phillips’s 95th anniversary and chances to win prizes.

February #Phillips95 Challenge: Penny for Your Thoughts

soutine_woman in profile

Chaim Soutine, Woman in Profile, ca. 1937. Oil on canvas ,18 13/8 x 10 7/8 in. The Phillips Collection, Washington, DC, Acquired 1943 © 2015 Artists Rights Society (ARS), New York, NY

Portraits play an important role at The Phillips Collection. For our second monthly #Phillips95 social media challenge (celebrating the museum’s 95th anniversary), we consider Chaim Soutine’s Woman in Profile (c. 1937). The Russian artist renders his subject with an expressive face, characteristic of his portrait style. We want to know what could have her lost so deeply in thought.

YOUR CHALLENGE: What is the woman in Soutine’s Woman in Profile thinking? Respond in the comments section here, or to our social media posts on Facebook, Twitter (@PhillipsMuseum), or Instagram (@PhillipsCollection) with #Phillips95 for a chance to win four tickets the Phillips.

We’ll announce winners Tuesday, February 23. Don’t be afraid to get creative and humorous with your answer!

 

Need inspiration? During our Made in the USA exhibition in 2014, we asked visitors what Thomas Eakins’s Miss Amelia Van Buren was thinking. See these previous blog posts for some of the responses we received to get your ideas flowing.