The Metaphysical Architecture of Modigliani

Experiment Station readers may recall the Modigliani: Beyond the Myth exhibition at the Phillips in 2005. The past ten years has seen an increase of interest in Modigliani who was the subject of the Phillips show and three other major traveling exhibitions. Recently, D.C.-based biographer Meryle Secrest, who specializes in books on art world figures, such as Salvador Dali, Frank Lloyd Wright, and Sir Kenneth Clarke, completed a biography of Modigliani.

Secrest’s biography of Modigliani walks the tight rope between a scholarly and popular read. Secrest’s scholarly goal is to reveal that Modigliani, infamous for his self-destructive behavior that included prolific drug use and dissolute living leading to his tragic death at age 35, has not been properly recognized a tuberculosis sufferer. This disease, from which he suffered first as a child and ultimately contributed to his death, nearly killed him before he reached his 15th birthday. Consequently, Secrest writes about the disease extensively. One learns in great detail not just  how tuberculosis afflicted Modigliani the reason it was known as consumption: “because that’s what it did; immediately or by slow degrees, it would consume the lungs and infiltrate the body until the flesh had burned away and the victim could count his ribs.”

As an avid admirer of Modigliani and someone who tries to read everything I can about him, Secrest’s book was intriguing to me not because she offered new insights on his work, but rather because she helped me see his work in a new light. Continue reading