Tuesday Tunes: A Playlist for Jackson Pollock

Taking inspiration from the major theme of music in Ten Americans: After Paul Klee, we paired 11 staff members with 11 works from the exhibition and asked them to create a playlist in response to their individual artwork. Miriam Deaver, Manager of School and Outreach Programs created this playlist in response to Jackson Pollock’s “Untitled (Page from a Lost Sketchbook).”

Jackson Pollock, Untitled (Page from a Lost Sketchbook), c. 1939–42, Brush and India ink on paper, 17 1/2 x 14 in., The Metropolitan Museum of Art, New York, Gift of Lee Krasner Pollock, 1982 © Pollock-Krasner Foundation/Artists Rights Society (ARS), New York

As with most works by Jackson Pollock, the emphasis for me is the feeling his work evokes from the viewer. Devoid of color, yet acutely expressive, Untitled (Page from a Lost Sketchbook) conveys aggression, disconnection, and movement. Its raw quality emphasizes the hand of the artist, thus Pollock is also present in this playlist at times—he was here, and he left a legacy. Enjoy!

Miriam Deaver, Manager of School and Outreach Programs

Feeling inspired? Create your own playlist based around works in the exhibition and send it to us at communications@phillipscollection.org and we may feature it on our blog and social media.

Tuesday Tunes: A Playlist for Bradley Walker Tomlin

Taking inspiration from the major theme of music in Ten Americans: After Paul Klee, we paired 11 staff members with 11 works from the exhibition and asked them to respond to create a playlist in response to their individual artwork. Kelley Daley, Head of Public Programming, created her playlist in response to Bradley Walker Tomlin’s “Number 12–1949.”

Bradley Walker Tomlin, Number 12–1949, 1949, Oil on canvas, 32 1/4 x 31 1/4 in., Whitney Museum of American Art, New York, Gift of Abby and B. H. Friedman in honor of John I. H. Baur

When I first looked at Bradley Walker Tomlin’s Number 12, I was struck by the cheerful, spring-like, Nickelodeon-esque slime green in the background. It made me nostalgic, warm, and happy; however, after spending time with the painting, the dark shapes became more prominent and I felt sentimental and introspective. I noticed the drips on some of the shapes; the almost non-existent, left behind shapes and lines in the background; or the bright pop of color mixed in with the dark, bold shapes that didn’t make the painting seem so overwhelmingly sad. I was most inspired by the contradiction of bold black lines with the bright, hidden shapes in the background that created an oscillation between happiness, nostalgia, and sentimentality. From David Bowie to Childish Gambino, this playlist features tracks that have a pronounced, toe-tapping beat (inspired by the bold black shapes), that sometimes overshadows the sentimental tenderness in the lyrics or other instruments.

Kelley Daley, Head of Public Programming

Feeling inspired? Create your own playlist based around works in the exhibition and send it to us at communications@phillipscollection.org and we may feature it on our blog and social media.

Tuesday Tunes: A Playlist for Gene Davis

Taking inspiration from the major theme of music in Ten Americans: After Paul Klee, we paired 11 staff members with 11 works from the exhibition and asked them to create a playlist in response to their individual artwork. Kathryn Rogge, Manager of Academic Programs & Phillips Music, created her playlist in response to Gene Davis’s “Black Flowers.”

Gene Davis, Black Flowers, 1952, Oil on hardboard, 36 1/8 x 24 1/4 in., The Phillips Collection, Washington, DC, Anonymous gift, 1974 © Artists Rights Society (ARS), New York

Black Flowers got me thinking about polyphonics (multiple voices), with each of the flower stems stretching vertically like an individual voice raising to the sky in song. While polyphonic texture extends to ancient and sacred music from all over the world, it may be found in any composition with overlapping melodies in counterpoint. The “voices” in a polyphonic piece can either be sung by a single voice in overlapping recordings (like Mouth’s Cradle), multiple voices (a whopping 40 voices appear in Spem in Alium) or played on instruments (such as Fables of Faubus); or in this case, painted into the long, slender stems of Gene Davis’s black flowers to create a tension and rising movement evocative of the songs on this list.

Kathryn Rogge, Manager of Academic Programs & Phillips Music

Feeling inspired? Create your own playlist based around works in the exhibition and send it to us at communications@phillipscollection.org and we may feature it on our blog and social media.